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American Protestantism, once our national genius, left its pulpit behind, began to barter and trade<br />

in the marketplace, refashioning God and gospel to sustain a social service vision of life. In doing<br />

so it ruined itself while betraying us all, Protestants and non-Protestants alike. A legacy of this is<br />

the fiefdom of Hawaii, saddest American territory of all, an occupied nation we pretend is an<br />

American state, its land area and economy owned to an astonishing degree by the descendants of<br />

a few missionary families, managed by government agencies. The original population has been<br />

wiped away. Under the veneer of a vacation paradise, which wears thin almost at once, one finds<br />

the saddest congre<strong>gat</strong>ions on earth, parishioners held prisoner by barren ministers without any<br />

rejuvenating sermons to preach. Hawaiian society is the Chautauqua forced schooling aims<br />

toward.<br />

The privileges of leadership shouldn’t rest on the shaky foundation of wealth, property, and armed<br />

guards but on the allegiance, respect, and love of those led. Leadership involves providing some<br />

purpose for getting out of bed in the morning, some reason to lay about with the claymore or<br />

drop seeds in the dirt. Wealth is a fair trade to grant to leaders in exchange for a purpose, but the<br />

leaders’ end of the bargain and must be kept. In the United States the pledge has been broken, and<br />

the break flaunted for an entire century through the mass schooling institution.<br />

Here is the crux of the dilemma: modern schooling has no lasting value to exchange for the<br />

spectacular chunk of living time it wastes or the possibilities it destroys. The kids know it, their<br />

parents know it, you know it, I know it, and the folks who administer the medicine know it.<br />

School is a fool’s bargain, we are fools for accepting its dry beans in exchange for our children.<br />

Roland Legiardi-Laura<br />

In 1966 I taught the novel Moby-Dick, film theory, and versification to a thirteen-year-old kid<br />

named Roland Legiardi-Laura, at JHS 44 in Manhattan. Roland was memorable in many ways,<br />

but two I remember best were him reeking of garlic at nine in the morning, every morning, and<br />

his determination never to work at a "job" but to be a poet. Before he had even graduated from<br />

college, both his parents died, leaving him nearly penniless. Forced to become completely<br />

self-supporting, he still remained focused on poetry, and a little over a decade later, while living<br />

on a shoestring, organized a mobile band of poet-terrorists who raced around the state in a<br />

candy-striped truck, delivering poetry spontaneously in bars and on street corners. Shortly<br />

afterwards, while living in a building without secure stairs or an intact roof, he flew to<br />

Nicaragua where poetry is the national sport and convinced the government to allow him to<br />

make a poetry documentary. When I advanced him $50 out of the 300 grand he would need, I<br />

told him he was nuts. But somehow he raised the money, made the film, and won nine<br />

international film awards. Meanwhile he had learned to support himself doing carpentry and<br />

odd jobs, the oddest of which was to help to rehabilitate a shambles of a building near Hell’s<br />

Angels headquarters on Manhattan’s Lower East Side and convert it into a poetry nightclub,<br />

where he would later become the director and an impresario. Who would go to a poetry<br />

nightclub? It turns out a lot of people, and as the Nuyorican Poets Cafe expanded to include<br />

Table of Contents<br />

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