978-1572305441
autism
autism
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William 95<br />
It is also essential to have a good idea of the linguistic tools the<br />
child uses, or does not have access to, when engaging in a conversation.<br />
What conversational devices does the child employ that are troublesome<br />
for other people to tolerate and that need to be limited? What linguistic<br />
tools are missing and need to be applied by asking for feedback<br />
and clarification? I ask a lot of questions to get around ambiguous references.<br />
I try to slow the speech down if it is too fast or speed it up if it’s<br />
terse and there are long pauses. I frequently interrupt to encourage the<br />
child to get to the point and not spend so much time on the details. I<br />
will take the physical context that the child refers to and ask about people<br />
in that context. This constant feedback teaches adolescents to be<br />
more aware of the skills and linguistic devices needed to have a coherent<br />
conversation, so they can keep those rules in their head and use<br />
them on their own.<br />
* * *<br />
Treating the pragmatics of conversation is a matter of gentle persuasion,<br />
of challenging the conversation but at the same time being respectful<br />
of the child’s level of development. It’s a process of not asking<br />
too much but not being afraid to challenge and expect more than what<br />
is usually given, of seeing the world through the child’s eyes by taking<br />
that imaginative leap but also holding our own world in mind as we<br />
gently encourage the child to move from one to the other. If the language<br />
game can become more public and less private, more open to a<br />
shared context, then the capacity for relationships improves. It is a matter<br />
of enticing children with autism and AS to enter our world and show<br />
them how much fun it is and then gently closing the door behind them<br />
so they don’t have to go back into the world of subways going every<br />
which way. This type of gentle challenge may give them a choice between<br />
the sense of the word and the presence of the world and allow<br />
them to go back and forth at will. To live without metaphors is to live<br />
among the particulars, to inhabit a tapestry of details, intricate and fascinating<br />
in their design. But it is limiting in that the experience cannot<br />
be generalized and categorized. Some things are best left uncategorized<br />
to be sure. To have the choice to see the myriad detail here, and then to<br />
categorize there, must surely be a privileged place from which to experience<br />
the world. Would that we all had that talent.