978-1572305441
autism
autism
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Justin 37<br />
music, even as a baby, and as a young toddler he listened to his parents’<br />
classical records for hours. The story of his growth and development<br />
has been a major focus of his father’s writings, a way of giving his child<br />
a voice. Today Hikari composes lovely music that is baroque-like, formal,<br />
and classical. The melodies are quite delicate and pristine, usually<br />
consisting of either solo piano or piano and flute. They are light and<br />
airy, without dark and brooding passages. His records have sold extremely<br />
well in Japan and around the world. Like Stephen Wiltshire’s<br />
paintings, his extraordinary perceptual memory and attention to acoustic<br />
detail have allowed his musical talents to blossom even as the capacity<br />
for social relationships and language remain limited. These savants<br />
illustrate in quite dramatic fashion that the flip side of a disability can,<br />
on occasion, release a skill or a gift that is beyond what most of us can<br />
accomplish.<br />
But to be amazed at the ability to calculate birthdays in the year<br />
2050, to make meticulous drawings, or to divide astronomical numbers<br />
in one’s head misses the point. What is so fascinating is the more common<br />
experience of pleasure that perceptual detail arouses in children<br />
and adults with autism and AS. Justin’s acute perception of acoustic detail<br />
and Chris’s attention to visual stimuli aroused by the trees dancing<br />
in the wind are intensely pleasurable—they are experienced as true play.<br />
Without a fully developed capacity for imagination, people with ASD<br />
turn to the concrete world of perception and explore it in all its variety<br />
and in its sameness. The pleasure that it brings is no different from the<br />
pleasure experienced by typical children as they play with toys and<br />
dolls. Even the play of typical children has to be limited and fit into the<br />
daily course of life’s events.<br />
It is the ability to see, hear, and play with the intimate architecture<br />
of the world that is truly amazing. The rest of us can see this architecture<br />
too if we make a conscious decision to look. But we are rarely<br />
drawn to it as a natural affinity. We have to work at it. We have to turn<br />
away from language and from social relationships to see it. People with<br />
autism gravitate to it effortlessly.<br />
* * *<br />
What is going on in the brain that gives rise to these repetitive, stereotypic<br />
interests and activities? What neurological mechanisms are responsible?<br />
Several theories have been proposed, each with both merits<br />
and limitations. One is that people with ASD lack an understanding of