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KARL MARX

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IIO <strong>KARL</strong> <strong>MARX</strong>: A BIOGRAPHY<br />

find the arguments rather difficult to follow. In so far as the arguments can<br />

be grasped, 'common sense' would tend to agree with Marx as against<br />

Hegel - though it is, of course, a Hegel refracted through Marx himself. 183<br />

What must be remembered, however, is the dense idealist fog (created<br />

particularly by Hegel's disciples) that Marx had to disperse in order to<br />

arrive at any sort of 'empirical' view.<br />

Marx himself supplied no conclusion to the 'Paris Manuscripts' and it<br />

is impossible to draw one from such a disjointed work which included<br />

discussions of economics, social criticism, philosophy, history, logic, dialectics<br />

and metaphysics. Although each section was dominated by a separate<br />

subject, to some extent all were approached in similar fashion. Here<br />

for the first time there appeared together, if not yet united, what Engels<br />

described as the three constituent elements in Marx's thought - German<br />

idealist philosophy, French socialism, and English economics. It is above<br />

all these Manuscripts which (in the West at least) reorientated many<br />

people's interpretation of Marx - to the extent of their even being considered<br />

as his major work. They were not published until the early 1930s<br />

and did not attract public attention until after the Second World War;<br />

certain facets of the Manuscripts were soon assimilated to the existentialism<br />

and humanism then so much in vogue and presented an altogether<br />

more attractive basis for non-Stalinist socialism than textbooks on dialectical<br />

materialism.<br />

Seen in their proper perspective, these Manuscripts were in fact no<br />

more than a starting-point for Marx - an initial, exuberant outpouring of<br />

ideas to be taken up and developed in subsequent economic writings,<br />

particularly in the Grimdrisse and in Capital. In these later works the<br />

themes of the '1844 Manuscripts' would certainly be pursued more systematically,<br />

in greater detail, and against a much more solid economic<br />

and historical background; but the central inspiration or vision was to<br />

remain unaltered: man's alienation in capitalist society, and the possibility<br />

of his emancipation - of his controlling his own destiny through<br />

communism.<br />

IV. LAST MONTHS IN PARIS<br />

While Marx had been feverishly composing his Manuscripts in Paris,<br />

Jenny was re-immersing herself in the provincial life of Trier. She was<br />

glad to be reunited with her mother for whom she had so often wept in<br />

France; but the genteel poverty in which the Westphalen household was<br />

compelled to live and the sponging of her spineless brother Edgar<br />

depressed her. The baby, now provided with a wet nurse, was soon out

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