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KARL MARX

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3i8 <strong>KARL</strong> <strong>MARX</strong>: A BIOGRAPHY<br />

Vogt had stirred up all the 'foggy gossip of the refugees'. 79 He caused<br />

affidavits to be made left, right and centre, fired off at least fifty letters<br />

(that to his lawyer in Berlin alone is twenty printed pages) and entered<br />

into a 'secret and confidential' 80 correspondence with the Daily Telegraph<br />

to try to get them to make amends. He started on the book in August<br />

but did not finish it until mid-November; both Jenny and Engels disapproved<br />

of the delay and considered Marx's approach much too thorough.<br />

It proved impossible to find a publisher in Germany and - despite Engels'<br />

warnings - Marx decided on a London publisher for whom Marx's book<br />

was his first commercial enterprise; Marx even optimistically persuaded<br />

him to agree to share the profits. What with the cost of the lawsuits,<br />

gathering material and printing, Marx found that he had spent about<br />

£100 to which Engels and Lassalle had to contribute heavily.<br />

It took Marx a long time to decide on the title: he himself, supported<br />

by Jenny, favoured Da-Da Vogt, apparently on the grounds that it would<br />

'puzzle the philistines', 81 but Engels persuaded him to settle for the<br />

simpler Herr Vogt. The book was very long and described by Marx himself<br />

as 'a system of mockery and contempt'. 82 Vogt, pillaried as a reincarnation<br />

of Sir John Falstaff, was pursued through two hundred closely printed<br />

pages whose style was so allusive that Engels recommended a resume<br />

after each chapter 'in order to present the general impression clearly to<br />

the Philistines'. 83 Marx was at his most vituperative:<br />

By means of an artificially hidden sewer system all the lavatories of<br />

London spew their physical filth into the Thames. By means of the<br />

systematic pushing of goose quills the world capital spews out all its<br />

social filth into the great papered central sewer called the Daily<br />

Telegraph.<br />

Having transformed the social filth of London into newspaper<br />

articles, Levy transforms the articles into copper, and finally the copper<br />

into gold. Over the gate leading to this central sewer made of paper<br />

there can be read these words written di colore oscuro: 'hie.. . quisquam<br />

faxit oletum\ or as Byron so poetically translated it: 'Wanderer, stop<br />

and - piss!' 84<br />

Marx read passages aloud to Jenny and she found them highly amusing.<br />

Engels thought it better than the Eighteenth Brumaire and Lassalle called<br />

it 'a masterpiece in all respects'. However, few copies sold and subsequent<br />

generations have not shared the taste for vituperation so characteristic of<br />

mid-Victorian polemics. Disappointment at the book's failure was<br />

enhanced when the publisher went bankrupt and Marx was saddled with<br />

all the printing costs. Ten years later, following the abdication of Napoleon<br />

III, the final stroke was added to the tragi-comedy: the French<br />

provisional Government of 1870 published papers found in the Tuileries

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