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KARL MARX

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LONDON 221<br />

of the individual factions of the Continental party of Order now indulge<br />

and mutually compromise themselves, far from providing the occasion<br />

for new revolutions are, on the contrary, possible only because the basis<br />

of the relationships is momentarily so secure and, what the reaction<br />

does not know, so bourgeois. From it all attempts of the reaction to<br />

hold up bourgeois development will rebound just as certainly as all<br />

moral indignation and all enthusiastic proclamations of the democrats.<br />

A new revolution is possible only in consequence of a new crisis. It is,<br />

however, just as certain as this crisis. 5 '<br />

At the end of 1851, Louis Napoleon seized power in France as<br />

Emperor, thus consolidating the reaction that had followed the 1848<br />

revolution. Marx immediately composed a series of articles which were<br />

published by his friend Weydemeyer, in a short-lived New York journal,<br />

under the title The Eighteenth Brumaire of Louis Bonaparte. They constitute<br />

his most brilliant political pamphlet. The title is an allusion to the date<br />

of the first Napoleon's coup d'etat in 1799 and Marx was concerned<br />

to examine the socio-political background of Louis Napoleon's repeat<br />

performance in December 1851. In a preface to a second edition of his<br />

essay, Marx contrasted his own approach to that of two other well-known<br />

pamphleteers on the same subject, Victor Hugo and Proudhon: Hugo<br />

confined himself to bitter and witty invective; whereas Proudhon, seeking<br />

to represent the coup d'etat as the result of antecedent historical development,<br />

ended up with a historical apologia for its hero. 'I, on the contrary,'<br />

wrote Marx, 'demonstrate how the class struggle in France created circumstances<br />

and relationships that made it possible for a grotesque mediocrity<br />

to play a hero's part.' 54<br />

Marx began his demonstration by referring to the remark of Hegel<br />

that all facts and personages of great importance in world history occurred<br />

twice and added that the first time was tragedy and the second, farce. So<br />

it was with the two Bonapartes. He continued:<br />

Men make their own history, but they do not make it just as they<br />

please; they do not make it under circumstances chosen by themselves,<br />

but under circumstances direcdy encountered, given and transmitted<br />

from the past. The tradition of all the dead generations weighs like a<br />

nightmare on the minds of the living. And just when they seem engaged<br />

in revolutionising themselves and things, in creating something that<br />

has never yet existed, precisely in such periods of revolutionary crisis<br />

they anxiously conjure up the spirits of the past to their service and<br />

borrow from them names, battle cries and costumes in order to present<br />

the new scene of world history in this time-honoured disguise and this<br />

borrowed language. 55<br />

Marx applied these considerations to the 1848 revolution and drew a

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