Deep Work_ Rules for focused success in a distracted world ( PDFDrive.com )
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Rule #1<br />
<strong>Work</strong> <strong>Deep</strong>ly<br />
Soon after I met David Dewane <strong>for</strong> a dr<strong>in</strong>k at a Dupont Circle bar, he brought up the<br />
Eudaimonia Mach<strong>in</strong>e. Dewane is an architecture professor, and there<strong>for</strong>e likes to<br />
explore the <strong>in</strong>tersection between the conceptual and the concrete. The Eudaimonia<br />
Mach<strong>in</strong>e is a good example of this <strong>in</strong>tersection. The mach<strong>in</strong>e, which takes its name<br />
from the ancient Greek concept of eudaimonia (a state <strong>in</strong> which you’re achiev<strong>in</strong>g your<br />
full human potential), turns out to be a build<strong>in</strong>g. “The goal of the mach<strong>in</strong>e,” David<br />
expla<strong>in</strong>ed, “is to create a sett<strong>in</strong>g where the users can get <strong>in</strong>to a state of deep human<br />
flourish<strong>in</strong>g—creat<strong>in</strong>g work that’s at the absolute extent of their personal abilities.” It<br />
is, <strong>in</strong> other words, a space designed <strong>for</strong> the sole purpose of enabl<strong>in</strong>g the deepest<br />
possible deep work. I was, as you might expect, <strong>in</strong>trigued.<br />
As Dewane expla<strong>in</strong>ed the mach<strong>in</strong>e to me, he grabbed a pen to sketch its proposed<br />
layout. The structure is a one-story narrow rectangle made up of five rooms, placed <strong>in</strong><br />
a l<strong>in</strong>e, one after another. There’s no shared hallway: you have to pass through one<br />
room to get to the next. As Dewane expla<strong>in</strong>s, “[The lack of circulation] is critical<br />
because it doesn’t allow you to bypass any of the spaces as you get deeper <strong>in</strong>to the<br />
mach<strong>in</strong>e.”<br />
The first room you enter when <strong>com</strong><strong>in</strong>g off the street is called the gallery. In<br />
Dewane’s plan, this room would conta<strong>in</strong> examples of deep work produced <strong>in</strong> the<br />
build<strong>in</strong>g. It’s meant to <strong>in</strong>spire users of the mach<strong>in</strong>e, creat<strong>in</strong>g a “culture of healthy<br />
stress and peer pressure.”<br />
As you leave the gallery, you next enter the salon. In here, Dewane imag<strong>in</strong>es access<br />
to high-quality coffee and perhaps even a full bar. There are also couches and Wi-Fi.<br />
The salon is designed to create a mood that “hovers between <strong>in</strong>tense curiosity and<br />
argumentation.” This is a place to debate, “brood,” and <strong>in</strong> general work through the<br />
ideas that you’ll develop deeper <strong>in</strong> the mach<strong>in</strong>e.<br />
Beyond the salon you enter the library. This room stores a permanent record of all<br />
work produced <strong>in</strong> the mach<strong>in</strong>e, as well as the books and other resources used <strong>in</strong> this<br />
previous work. There will be copiers and scanners <strong>for</strong> gather<strong>in</strong>g and collect<strong>in</strong>g the