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Deep Work_ Rules for focused success in a distracted world ( PDFDrive.com )

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Chappell began by attempt<strong>in</strong>g a vague <strong>com</strong>mitment to deep work. He made a rule<br />

that deep work needed to happen <strong>in</strong> n<strong>in</strong>ety-m<strong>in</strong>ute chunks (recogniz<strong>in</strong>g correctly that it<br />

takes time to ease <strong>in</strong>to a state of concentration) and he decided he would try to<br />

schedule these chunks <strong>in</strong> an ad hoc manner whenever appropriate open<strong>in</strong>gs <strong>in</strong> his<br />

schedule arose. Not surpris<strong>in</strong>gly, this strategy didn’t yield much productivity. In a<br />

dissertation boot camp Chappell had attended the year be<strong>for</strong>e, he’d managed to<br />

produce a full thesis chapter <strong>in</strong> a s<strong>in</strong>gle week of rigorous deep work. After he<br />

accepted his full-time job, he managed to produce only a s<strong>in</strong>gle additional chapter <strong>in</strong><br />

the entire first year he was work<strong>in</strong>g.<br />

It was the glacial writ<strong>in</strong>g progress dur<strong>in</strong>g this year that drove Chappell to embrace<br />

the rhythmic method. He made a rule that he would wake up and start work<strong>in</strong>g by five<br />

thirty every morn<strong>in</strong>g. He would then work until seven thirty, make breakfast, and go to<br />

work already done with his dissertation obligations <strong>for</strong> the day. Pleased by early<br />

progress, he soon pushed his wake-up time to four <strong>for</strong>ty-five to squeeze out even more<br />

morn<strong>in</strong>g depth.<br />

When I <strong>in</strong>terviewed Chappell <strong>for</strong> this book, he described his rhythmic approach to<br />

deep work schedul<strong>in</strong>g as “both astronomically productive and guilt free.” His rout<strong>in</strong>e<br />

was produc<strong>in</strong>g four to five pages of academic prose per day and was capable of<br />

generat<strong>in</strong>g drafts of thesis chapters at a rate of one chapter every two or three weeks:<br />

a phenomenal output <strong>for</strong> someone who also worked a n<strong>in</strong>e-to-five job. “Who’s to say<br />

that I can’t be that prolific?” he concluded. “Why not me?”<br />

The rhythmic philosophy provides an <strong>in</strong>terest<strong>in</strong>g contrast to the bimodal<br />

philosophy. It perhaps fails to achieve the most <strong>in</strong>tense levels of deep th<strong>in</strong>k<strong>in</strong>g sought<br />

<strong>in</strong> the daylong concentration sessions favored by the bimodalist. The trade-off,<br />

however, is that this approach works better with the reality of human nature. By<br />

support<strong>in</strong>g deep work with rock-solid rout<strong>in</strong>es that make sure a little bit gets done on a<br />

regular basis, the rhythmic scheduler will often log a larger total number of deep hours<br />

per year.<br />

The decision between rhythmic and bimodal can <strong>com</strong>e down to your self-control <strong>in</strong><br />

such schedul<strong>in</strong>g matters. If you’re Carl Jung and are engaged <strong>in</strong> an <strong>in</strong>tellectual dogfight<br />

with Sigmund Freud’s supporters, you’ll likely have no trouble recogniz<strong>in</strong>g the<br />

importance of f<strong>in</strong>d<strong>in</strong>g time to focus on your ideas. On the other hand, if you’re writ<strong>in</strong>g<br />

a dissertation with no one pressur<strong>in</strong>g you to get it done, the habitual nature of the<br />

rhythmic philosophy might be necessary to ma<strong>in</strong>ta<strong>in</strong> progress.<br />

For many, however, it’s not just self-control issues that bias them toward the<br />

rhythmic philosophy, but also the reality that some jobs don’t allow you to disappear

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