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Big Screen Rome - Amazon Web Services

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series of preposterous sight gags, such as Pseudolus water-skiing on the<br />

baseboard of his broken chariot, which is a send-up of the much more<br />

deadly incident in the chariot race in Ben-Hur where Messala is thrown<br />

from his chariot and dragged behind his team of horses. Finally, everyone<br />

comes crashing together in a very un-epic way: “Even if Lew Wallace<br />

would never believe that he set that into motion” (Solomon, 2001a, 287).<br />

With the addition of these spoofing scenes, none of which was in the<br />

original stage play, Lester and Simmons explicitly use the satiric power of<br />

the comic cinema as a retrospective, and perhaps even subversive, commentary<br />

on those earlier spectacular films.<br />

Themes and Interpretations<br />

In 1967, A Funny Thing Happened on the Way to the Forum was nominated<br />

for and won one Oscar, for Best Adapted Score, and was nominated<br />

for a Golden Globe for Best Motion Picture, Musical/Comedy. Besides<br />

its tremendous achievement as sheer entertainment, A Funny Thing can be<br />

said to be a product of the social and political environment of America in<br />

the mid-1960s. The theme of Pseudolus’ desire for freedom, and the film’s<br />

realistic depiction of the generally insensitive treatment of Roman slaves<br />

at the hands of their aristocratic masters, evoke the ongoing struggles<br />

of the civil rights movement during the decade of the 1960s. Critics have<br />

suggested that director Lester was keen to expose the inequities among<br />

social classes in ancient <strong>Rome</strong> by showing scenes in the film of the slaves<br />

doing menial labor and being beaten and humiliated by their masters.<br />

One critic notes the cinematic juxtaposition between the main comic narrative<br />

and the tedious lives of the slaves: “Lester inserts shots of slaves<br />

toiling away at their menial jobs as the main characters sing and dance”<br />

(Malamud, 203). In so doing, Lester deliberately unsettles and even undermines<br />

the conventionally uplifting message of the musical-comic film to<br />

create a powerful statement about modern social and economic injustice<br />

(Sinyard, 42).<br />

It was an indisputable social reality in ancient Roman times that the<br />

masters of the house maintained total control over their slaves, who by<br />

law were completely subject to their owners’ authority in all matters, even<br />

life and death. Yet it is also true that the Romans regularly manumitted<br />

more slaves than any other slave-owning society in history; the frequent<br />

and inevitable conquest of foreign lands by the invincible Roman army<br />

172 A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1966)

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