Big Screen Rome - Amazon Web Services
Big Screen Rome - Amazon Web Services
Big Screen Rome - Amazon Web Services
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
series of preposterous sight gags, such as Pseudolus water-skiing on the<br />
baseboard of his broken chariot, which is a send-up of the much more<br />
deadly incident in the chariot race in Ben-Hur where Messala is thrown<br />
from his chariot and dragged behind his team of horses. Finally, everyone<br />
comes crashing together in a very un-epic way: “Even if Lew Wallace<br />
would never believe that he set that into motion” (Solomon, 2001a, 287).<br />
With the addition of these spoofing scenes, none of which was in the<br />
original stage play, Lester and Simmons explicitly use the satiric power of<br />
the comic cinema as a retrospective, and perhaps even subversive, commentary<br />
on those earlier spectacular films.<br />
Themes and Interpretations<br />
In 1967, A Funny Thing Happened on the Way to the Forum was nominated<br />
for and won one Oscar, for Best Adapted Score, and was nominated<br />
for a Golden Globe for Best Motion Picture, Musical/Comedy. Besides<br />
its tremendous achievement as sheer entertainment, A Funny Thing can be<br />
said to be a product of the social and political environment of America in<br />
the mid-1960s. The theme of Pseudolus’ desire for freedom, and the film’s<br />
realistic depiction of the generally insensitive treatment of Roman slaves<br />
at the hands of their aristocratic masters, evoke the ongoing struggles<br />
of the civil rights movement during the decade of the 1960s. Critics have<br />
suggested that director Lester was keen to expose the inequities among<br />
social classes in ancient <strong>Rome</strong> by showing scenes in the film of the slaves<br />
doing menial labor and being beaten and humiliated by their masters.<br />
One critic notes the cinematic juxtaposition between the main comic narrative<br />
and the tedious lives of the slaves: “Lester inserts shots of slaves<br />
toiling away at their menial jobs as the main characters sing and dance”<br />
(Malamud, 203). In so doing, Lester deliberately unsettles and even undermines<br />
the conventionally uplifting message of the musical-comic film to<br />
create a powerful statement about modern social and economic injustice<br />
(Sinyard, 42).<br />
It was an indisputable social reality in ancient Roman times that the<br />
masters of the house maintained total control over their slaves, who by<br />
law were completely subject to their owners’ authority in all matters, even<br />
life and death. Yet it is also true that the Romans regularly manumitted<br />
more slaves than any other slave-owning society in history; the frequent<br />
and inevitable conquest of foreign lands by the invincible Roman army<br />
172 A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1966)