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3 How does the film utilize elements of the American vaudeville tradition? 4 How does the film incorporate visual elements of the style of American television sitcoms and British rock and roll movies of the 1960s? How is this like or unlike contemporary TV sitcoms and music videos? 5 How do the themes presented in the film relate to the sociopolitical issues of the mid- 1960s? What issues does the film present that are still relevant to us today? A FUNNY THING HAPPENED ON THE WAY TO THE FORUM (1966) 175
Chapter 7 Monty Python’s Life of Brian (1979) He wasn’t the Messiah. He was a very naughty boy. Director: Terry Jones <strong>Screen</strong>play: Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin Produced by: John Goldstone for Handmade Films Running Time: 94 minutes Cast Brian Cohen, <strong>Big</strong>gus Dickus Graham Chapman Reg, Jewish Official, Centurion John Cleese Jailer, Blood and Thunder Prophet Terry Gilliam Stan (Loretta), Harry Haggler Eric Idle Mandy Cohen, Simon the Holy Man Terry Jones Francis, Ex-Leper, Pontius Pilate Michael Palin Judith Sue Jones-Davies Jesus Kenneth Colley Plot Outline In Roman-occupied Judaea at the turn of the first millennium, a child is born in a stable under a bright star. Three wise men, bearing gifts, come to visit the infant. His astonished mother accepts the gifts happily. Then the star moves and the wise men, realizing their mistake, take back the gifts and depart. The child is Brian Cohen, whose life is destined to parallel that of Jesus of Nazareth. Later, when Brian is an adult, he attends the Sermon 176 MONTY PYTHON’S LIFE OF BRIAN (1979)
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Big Screen Rome
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BIG SCREEN ROME Monica Silveira Cyr
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Contents List of Illustrations vi A
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11 A Funny Thing Happened on the Wa
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permissions were secured in part wi
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Map 1 The city of Rome in the imper
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R P I D A C I A M O Sarmizegetusa C
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provocative combination of dignity
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chapters examine how both films use
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duty and desire set against the mon
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Plot Outline It is the summer of ad
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Plate 1 Quo Vadis. Petronius (Leo G
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a soldier kills Tigellinus, calling
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of Rome. Their obstinate refusal to
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he was also condemned to death. The
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associated with the Catholic Polish
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ambivalent one, given the glitterin
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This is the Appian Way, the most fa
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suggestive of the illumination she
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in historical epic films (Winkler,
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narrative and thematic focus also s
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later decades evolved into the Amer
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Peter. Eunice is the slave of Petro
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Chapter 2 The Robe (1953) The great
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Plate 3 The Robe. Marcellus (Richar
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on the command of the new emperor,
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him to retire to the island of Rhod
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of the Senate, the institution was
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of Caesarea, the prefect would spen
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of the changes in Catholicism that
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of showing off the enduring power,
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have made a great empress, thus hig
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would also play Odysseus in Helen o
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crime as a Roman citizen who has jo
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Hollywood artists who sold out duri
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Demetrius, and his jealous rage whe
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Plot Outline In the Roman province
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Judah, his mother and sister are le
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farewell: they embrace and kiss, an
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voice take the sword out of my hand
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throughout the countryside around G
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of people during its twenty-year ru
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Since Ben-Hur was in preparation lo
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technology, in particular the newly
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forceful, almost fanatical, speeche
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emperor’s offer of Roman citizens
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Messala, as Esther recounts her mem
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The appearances of Jesus are few an
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War to condemn oppressive foreign t
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poisoned by Rome, as he tells Pilat
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CORE ISSUES 1 How does the film por
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Plot Outline In the mines of North
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Plate 7 Spartacus. Draba (Woody Str
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army, losing nineteen thousand men
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second broke out in 104 and was que
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At this time, gladiatorial combat w
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Senate had no choice but to yield.
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the Communist Party of the United S
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the first time in thirteen years. T
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the slave movement with the migrati
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From this point, the film divides i
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At the heart of the new slave famil
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Antoninus dies in the arms of Spart
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Plate 8 Spartacus. Varinia (Jean Si
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learning from their mistakes; Gracc
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complaint.” As Gracchus observes
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Spartacus continues the epic cinema
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Plot Outline Part 1. On the battlef
Page 139 and 140: Plate 9 Cleopatra. Cleopatra (Eliza
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Page 145 and 146: Later, Ptolemy XIII fled and was fo
Page 147 and 148: Antony came to Tarsus in Cilicia wh
Page 149 and 150: for future campaigns. Early in 34 b
Page 151 and 152: honored her request for burial with
Page 153 and 154: Extra-cinematic commentary also sug
Page 155 and 156: The script, based on C. M. Franzero
Page 157 and 158: Plate 10 Cleopatra. Mark Antony (Ri
Page 159 and 160: as Caesar, but is best known for hi
Page 161 and 162: eginning of the second half after t
Page 163 and 164: desertion: I from myself.” As he
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Page 167 and 168: the United Nations was composed lar
Page 169 and 170: modern sex scandal. When Cleopatra
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Page 173 and 174: 4 How does the film use the spectac
Page 175 and 176: kind and rather dim-witted gentlema
Page 177 and 178: Plate 11 A Funny Thing Happened on
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Page 185 and 186: In A Funny Thing Happened on the Wa
Page 187 and 188: series of preposterous sight gags,
Page 189: freedom and the pleasures of uninhi
Page 193 and 194: 178 MONTY PYTHON’S LIFE OF BRIAN
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Page 207 and 208: The cartoon construction during the
Page 209 and 210: Chapter 8 History of the World, Par
Page 211 and 212: Ancient Background The Roman Empire
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Page 217 and 218: 202 HISTORY OF THE WORLD, PART I (1
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Page 221 and 222: 3 How does the sequence incorporate
Page 223 and 224: Plot Outline In the year ad 180, th
Page 225 and 226: vets them with color codes. Maximus
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Page 233 and 234: morale of Roman legionaries on long
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Page 237 and 238: 38). Although dismayed by the games
Page 239 and 240: In contrast to earlier epics like Q
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gladiator epic that would reflect c
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$3 million. A dedication in the clo
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soft, admiring light of nostalgia.
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The film hinges almost completely o
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with the reluctance of Maximus to a
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attitudes about female political sk
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hero Maximus, an event that leaves
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Earlier epic films traditionally si
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laughs bitterly through tears when
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his new gladiator idol, as he waits
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246 GLADIATOR (2000) Plate 15 Gladi
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“Fear and wonder,” Senator Grac
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the provincial arena in Zucchabar,
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the words of Maximus’ prayer in a
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The field of wheat is thus a symbol
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city, Maximus becomes a symbol both
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2 Reference Maltin, Leonard, et al.
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Killed Spartacus? How Studio Censor
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Index Page numbers in italic refer
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Caesar, Sid 166, 197 Caesarea 44, 6
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Falco (Gladiator) 208, 210, 212 The
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Jackson, Peter 83 Jacoby, Georg 18
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musical scores A Funny Thing Happen
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The Road Warrior 230 The Robe 3, 22
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Via Appia 11, 12, 21, 24, 95, 99, 1
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