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communism Quo Vadis and 29, 30–1 The Robe and 55 Spartacus and 102 see also McCarthyism computer-generated imagery 224–5, 227–8 conformist mentality, critique of 186, 187, 189–90 Constantine I (emperor) 222 consumerism 204 Cooper, Duncan 116 Copland, Aaron 104 Crassus, Marcus Licinius historical figure 97, 99, 129 Spartacus 90, 91, 93, 94, 108–9, 110, 111, 115–16, 117, 118, 119, 120, 157, 242, 250 Crawford, Michael 168 Crixus historical figure 98–9 Spartacus 90–1, 93, 107 Crosby, Bing 205 Crowe, Russell 209, 232, 238, 246, 249 crucifixion Ben-Hur 65 Jesus of Nazareth 68, 181 Monty Python’s Life of Brian 187, 192 Quo Vadis 11 The Robe 36, 52–3 Spartacus 113 Cuban Missile Crisis 152 Cull, Nicholas 170 Currie, Finlay 74 Curtis, Tony 111 D’Annunzio, Gabriellino 18 Davis, Bette 71, 138 decline of the epic movie 222–3 The Defiant Ones 111 deflation, comedy of 191 DeLuise, Dom 200, 202 Demetrius and the Gladiators 48, 50 Demetrius (The Robe) 35, 36–7, 38, 50–1, 52, 53 DeMille, Cecil B. 1, 138 The Desperate Hours 71 Detective Story 71 Diana (The Robe) 35, 37, 38, 39, 49–50, 54, 55, 110, 235 Dick Tracy 166 director’s cut 226 Doctor No 197 Domina (A Funny Thing Happened on the Way to the Forum) 160, 161, 168 Domitian (emperor) 16, 213 Domus Aurea (“Golden House”) 14, 219 Donations of Alexandria 134 Douglas, Kirk 92, 102–3, 103, 104, 105, 114 Douglas, Lloyd C. 44–6 Dr. Hudson’s Secret Journal 45 Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb 103 Draba (Spartacus) 90, 91, 106, 107, 118–19, 228, 242–3 DreamWorks 225–6 drug culture 205 Drusus (Ben-Hur) 60, 61, 64 Drusus the Younger 40, 41 The Duellists 226 Dunne, Irene 45 Durant, Will 224 Durbin, Deanna 46 Edwards, J. Gordon 137 The Egyptian 50 Eisenhower, Dwight D. 29, 56 El Cid 75 Elley, Derek 19, 27, 31, 32, 79, 83, 171 emancipation discourse 100–1 Empress Nympho (History of the World, Part I) 195, 200, 204 Erlanger, Abraham 69, 70 erotic gaze Ben-Hur 87 Cleopatra 154–5 Quo Vadis 33 The Robe 58 Spartacus 120, 205 see also sexuality Erronius (A Funny Thing Happened on the Way to the Forum) 160, 161, 169 Esther (Ben-Hur) 60–1, 63–4, 65, 79–80, 82, 235 Eunice (Quo Vadis) 8, 11, 32, 33, 79 Eyes Wide Shut 103 INDEX 265
Falco (Gladiator) 208, 210, 212 The Fall of the Roman Empire 75, 104, 170–1, 222, 223–4, 225, 233, 240 fascism 28, 29 Fast, Howard 100, 101–2, 117 Father of the Bride movies 166 Faustina (wife of Marcus Aurelius) 216 Fellini, Federico 171 Fellini Satyricon 171, 201 female empowerment 110–11, 147, 150, 235–6 Fiddler on the Roof 167 Fisher, Eddie 154 Fitzgerald, William 19, 30, 54, 76, 87, 111, 120, 231 Flavius (Cleopatra) 122, 123 Flower Drum Song 46 Flynn, Errol 45 Forma Urbis 29, 30 Forrest Gump 205 Franken, Al 188 Franzero, C. M. 140 Franzoni, David 228, 244, 250, 252 Frasier 166 freedom/oppression polarity A Funny Thing Happened on the Way to the Forum 172–3 Monty Python’s Life of Brian 187, 190 Quo Vadis 33 The Robe 48, 55 Spartacus 105, 111 Freudian psychology 203 Fronto, Marcus Cornelius 215 The Frost Report 181 Fry, Christopher 72 Full Metal Jacket 103 “Funkytown” 201 Funny Girl 71 Futrell, Alison 98, 105, 219 Gabinius, Aulus 129 Gaius (Gladiator) 208, 210 Galba, Servius Sulpicius historical figure 16, 197 Quo Vadis 11, 12 Gallio, Marcellus (The Robe) 34 –9, 45, 48–9, 50–1, 52–4, 55–6 Gallio, Senator (The Robe) 35, 38, 39, 51–2, 56 Garibaldi, Giuseppe 101 Garofalo, Janeane 188 266 INDEX Gavin, John 115 Gelbart, Larry 166, 167 Gemellus, Tiberius 42 gender issues Cleopatra and 153–4 female empowerment 110–11, 147, 150, 235–6 Quo Vadis and 31–2 see also sexuality Genn, Leo 10, 26 Germanicus 40, 43 Gérôme, Jean-Léon 221, 225 Gerrard, Lisa 239 Get Smart 197–8 The Ghost and Mrs. Muir 138 G. I. Jane 226 Giant 149 Gibbon, Edward 222, 224 Gibson, Mel 188 Gilford, Jack 162, 168, 169 Gilliam, Terry 181, 183, 184, 187, 191 Giovagnoli, Rafaello 101 Glaber, Claudius 98 Glabrus (Spartacus) 90, 91, 93, 107 Gladiator 1, 4–5, 199, 207–56, 209, 246 cast 207 historical context 213–22 Oscar nominations 238 plot outline 208–13 production 226–38 recent background 222–6 themes and interpretations 238–56 The Gladiator (play) 101 gladiatorial combat 97–8, 217–21 Gladiator 210, 211, 240, 242 Gladiator Emperor (Commodus) 216 Spartacus 106–7, 242–3 gladiatorial schools 97, 220, 222 Goldberg, Whoopi 168 Goldwyn, Sam 71 Gone With the Wind 68 The Good Fairy 71 Gospels 67, 68, 180–1 government authoritarianism, critique of 84, 118, 204 Gracchus (Gladiator) 210, 211, 212, 213, 229, 235, 240, 245, 248 Gracchus (Spartacus) 91, 93, 94, 95, 112–13, 115–16, 118 Gracchus, Gaius 96 Gracchus, Tiberius 96
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Big Screen Rome
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BIG SCREEN ROME Monica Silveira Cyr
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Contents List of Illustrations vi A
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11 A Funny Thing Happened on the Wa
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permissions were secured in part wi
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Map 1 The city of Rome in the imper
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R P I D A C I A M O Sarmizegetusa C
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provocative combination of dignity
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chapters examine how both films use
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duty and desire set against the mon
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Plot Outline It is the summer of ad
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Plate 1 Quo Vadis. Petronius (Leo G
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a soldier kills Tigellinus, calling
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of Rome. Their obstinate refusal to
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he was also condemned to death. The
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associated with the Catholic Polish
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ambivalent one, given the glitterin
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This is the Appian Way, the most fa
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suggestive of the illumination she
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in historical epic films (Winkler,
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narrative and thematic focus also s
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later decades evolved into the Amer
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Peter. Eunice is the slave of Petro
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Chapter 2 The Robe (1953) The great
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Plate 3 The Robe. Marcellus (Richar
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on the command of the new emperor,
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him to retire to the island of Rhod
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of the Senate, the institution was
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of Caesarea, the prefect would spen
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of the changes in Catholicism that
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of showing off the enduring power,
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have made a great empress, thus hig
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would also play Odysseus in Helen o
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crime as a Roman citizen who has jo
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Hollywood artists who sold out duri
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Demetrius, and his jealous rage whe
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Plot Outline In the Roman province
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Judah, his mother and sister are le
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farewell: they embrace and kiss, an
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voice take the sword out of my hand
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throughout the countryside around G
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of people during its twenty-year ru
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Since Ben-Hur was in preparation lo
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technology, in particular the newly
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forceful, almost fanatical, speeche
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emperor’s offer of Roman citizens
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Messala, as Esther recounts her mem
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The appearances of Jesus are few an
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War to condemn oppressive foreign t
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poisoned by Rome, as he tells Pilat
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CORE ISSUES 1 How does the film por
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Plot Outline In the mines of North
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Plate 7 Spartacus. Draba (Woody Str
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army, losing nineteen thousand men
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second broke out in 104 and was que
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At this time, gladiatorial combat w
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Senate had no choice but to yield.
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the Communist Party of the United S
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the first time in thirteen years. T
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the slave movement with the migrati
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From this point, the film divides i
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At the heart of the new slave famil
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Antoninus dies in the arms of Spart
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Plate 8 Spartacus. Varinia (Jean Si
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learning from their mistakes; Gracc
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complaint.” As Gracchus observes
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Spartacus continues the epic cinema
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Plot Outline Part 1. On the battlef
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Plate 9 Cleopatra. Cleopatra (Eliza
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command at Tarsus in Asia Minor, an
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knowing he is the undisputed master
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Later, Ptolemy XIII fled and was fo
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Antony came to Tarsus in Cilicia wh
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for future campaigns. Early in 34 b
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honored her request for burial with
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Extra-cinematic commentary also sug
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The script, based on C. M. Franzero
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Plate 10 Cleopatra. Mark Antony (Ri
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as Caesar, but is best known for hi
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eginning of the second half after t
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desertion: I from myself.” As he
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majesty and power are displayed, Ta
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the United Nations was composed lar
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modern sex scandal. When Cleopatra
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desire for sons, as she articulates
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4 How does the film use the spectac
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kind and rather dim-witted gentlema
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Plate 11 A Funny Thing Happened on
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productions, and often acted in the
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shared experience of every society
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1996, with Nathan Lane, who also wo
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In A Funny Thing Happened on the Wa
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series of preposterous sight gags,
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freedom and the pleasures of uninhi
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Chapter 7 Monty Python’s Life of
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178 MONTY PYTHON’S LIFE OF BRIAN
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autonomous part of the Roman provin
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Silly Walks,” with their in-jokes
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different religious sects, the earn
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censorship that varied from region
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may provide some inspiration for th
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obstacle to group ideals. Because t
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The cartoon construction during the
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Chapter 8 History of the World, Par
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Ancient Background The Roman Empire
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was the protagonist’s inability t
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in classic epics like Quo Vadis, Be
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202 HISTORY OF THE WORLD, PART I (1
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or shocking, hidden by the generic
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3 How does the sequence incorporate
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Plot Outline In the year ad 180, th
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vets them with color codes. Maximus
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from the upper stands. Commodus inf
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Page 249 and 250: with the reluctance of Maximus to a
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Page 261 and 262: 246 GLADIATOR (2000) Plate 15 Gladi
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Page 271 and 272: city, Maximus becomes a symbol both
Page 273 and 274: 2 Reference Maltin, Leonard, et al.
Page 275 and 276: Killed Spartacus? How Studio Censor
Page 277 and 278: Index Page numbers in italic refer
Page 279: Caesar, Sid 166, 197 Caesarea 44, 6
Page 283 and 284: Jackson, Peter 83 Jacoby, Georg 18
Page 285 and 286: musical scores A Funny Thing Happen
Page 287 and 288: The Road Warrior 230 The Robe 3, 22
Page 289: Via Appia 11, 12, 21, 24, 95, 99, 1
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