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on the Mount, where the frustrated audience members, who can barely hear Jesus speak, argue over the words of the speech (“Blessed are the cheese makers”) and get into a brawl. Brian sees Judith, a local woman, and falls in love with her. He accompanies his mother, Mandy Cohen, to the stoning of Matthias, who is condemned for blasphemy for uttering the name “Jehovah.” Another scuffle breaks out among the over-eager crowd members, and the presiding Jewish official ends up getting stoned, while Matthias walks away unscathed. In the streets, Brian and his mother encounter an “ex-leper” begging for alms, and when Brian engages him in conversation, the beggar compares him to Jesus. Back at home, Mum informs Brian that his father was “not Mr. Cohen,” but rather a Roman centurion. Brian is outraged and dismayed to learn he is related to the hated Roman race. At the matinee show in the provincial Roman arena, Brian is working the stands selling exotic Roman snacks. There he meets the contentious members of the People’s Front of Judaea (the PFJ), an anti-Roman activist group to which Judith belongs. Upset about his newly discovered Roman heritage, and eager to be near Judith, he asks to join them; after some debate, the members invite him to commit an act of terrorism against the Roman state. Reg, the PFJ leader, sends Brian to the palace of Pontius Pilate, the material symbol of the Roman occupation, to deface its walls with an anti-Roman graffito, “Romans Go Home.” When a centurion catches sight of him, he corrects Brian’s poor Latin grammar, and instructs him to write the corrected slogan a hundred times. As day breaks and Brian finishes the graffiti, the suddenly alert Roman guards chase him through the streets until he is saved by Judith. Back at PFJ headquarters, the terrorists are planning a new action: to kidnap Pilate’s wife and “issue demands.” The raid on Pilate’s palace is a failure, as the PFJ members run into a rival terrorist group with the exact same kidnapping plan. In the fracas, Brian is arrested and hauled before Pilate, whose ridiculous speech impediment sends the guards into paroxysms of laughter, and so Brian easily escapes. Trying to blend in on the Street of Prophets, where people gather to hear the so-called wisdom of various local sages, Brian utters a few generic but sufficiently messiah-like words; then, when he sees the Roman guards safely departing, he trails off: “to them . . . only . . . shall be given . . .” The tense crowd, anxious to know the rest of the message, begins to follow Brian in earnest, calling him Messiah and Master. Brian’s followers quickly splinter off into factions, some following his discarded gourd, while others follow his lost sandal. Brian flees to the desert and tries to hide in the dirt MONTY PYTHON’S LIFE OF BRIAN (1979) 177
178 MONTY PYTHON’S LIFE OF BRIAN (1979) Plate 12 Monty Python’s Life of Brian. Brian (Graham Chapman) is manhandled by the centurion (John Cleese) while being questioned by Pontius Pilate (Michael Palin). Courtesy of Monty Python Films/The Kobal Collection.
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Big Screen Rome
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BIG SCREEN ROME Monica Silveira Cyr
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Contents List of Illustrations vi A
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11 A Funny Thing Happened on the Wa
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permissions were secured in part wi
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Map 1 The city of Rome in the imper
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R P I D A C I A M O Sarmizegetusa C
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provocative combination of dignity
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chapters examine how both films use
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duty and desire set against the mon
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Plot Outline It is the summer of ad
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Plate 1 Quo Vadis. Petronius (Leo G
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a soldier kills Tigellinus, calling
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of Rome. Their obstinate refusal to
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he was also condemned to death. The
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associated with the Catholic Polish
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ambivalent one, given the glitterin
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This is the Appian Way, the most fa
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suggestive of the illumination she
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in historical epic films (Winkler,
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narrative and thematic focus also s
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later decades evolved into the Amer
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Peter. Eunice is the slave of Petro
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Chapter 2 The Robe (1953) The great
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Plate 3 The Robe. Marcellus (Richar
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on the command of the new emperor,
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him to retire to the island of Rhod
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of the Senate, the institution was
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of Caesarea, the prefect would spen
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of the changes in Catholicism that
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of showing off the enduring power,
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have made a great empress, thus hig
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would also play Odysseus in Helen o
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crime as a Roman citizen who has jo
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Hollywood artists who sold out duri
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Demetrius, and his jealous rage whe
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Plot Outline In the Roman province
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Judah, his mother and sister are le
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farewell: they embrace and kiss, an
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voice take the sword out of my hand
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throughout the countryside around G
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of people during its twenty-year ru
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Since Ben-Hur was in preparation lo
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technology, in particular the newly
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forceful, almost fanatical, speeche
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emperor’s offer of Roman citizens
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Messala, as Esther recounts her mem
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The appearances of Jesus are few an
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War to condemn oppressive foreign t
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poisoned by Rome, as he tells Pilat
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CORE ISSUES 1 How does the film por
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Plot Outline In the mines of North
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Plate 7 Spartacus. Draba (Woody Str
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army, losing nineteen thousand men
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second broke out in 104 and was que
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At this time, gladiatorial combat w
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Senate had no choice but to yield.
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the Communist Party of the United S
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the first time in thirteen years. T
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the slave movement with the migrati
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From this point, the film divides i
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At the heart of the new slave famil
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Antoninus dies in the arms of Spart
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Plate 8 Spartacus. Varinia (Jean Si
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learning from their mistakes; Gracc
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complaint.” As Gracchus observes
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Spartacus continues the epic cinema
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Plot Outline Part 1. On the battlef
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Plate 9 Cleopatra. Cleopatra (Eliza
Page 141 and 142: command at Tarsus in Asia Minor, an
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Page 145 and 146: Later, Ptolemy XIII fled and was fo
Page 147 and 148: Antony came to Tarsus in Cilicia wh
Page 149 and 150: for future campaigns. Early in 34 b
Page 151 and 152: honored her request for burial with
Page 153 and 154: Extra-cinematic commentary also sug
Page 155 and 156: The script, based on C. M. Franzero
Page 157 and 158: Plate 10 Cleopatra. Mark Antony (Ri
Page 159 and 160: as Caesar, but is best known for hi
Page 161 and 162: eginning of the second half after t
Page 163 and 164: desertion: I from myself.” As he
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Page 167 and 168: the United Nations was composed lar
Page 169 and 170: modern sex scandal. When Cleopatra
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Page 173 and 174: 4 How does the film use the spectac
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Page 177 and 178: Plate 11 A Funny Thing Happened on
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Page 185 and 186: In A Funny Thing Happened on the Wa
Page 187 and 188: series of preposterous sight gags,
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Page 191: Chapter 7 Monty Python’s Life of
Page 195 and 196: autonomous part of the Roman provin
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Page 203 and 204: may provide some inspiration for th
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Page 207 and 208: The cartoon construction during the
Page 209 and 210: Chapter 8 History of the World, Par
Page 211 and 212: Ancient Background The Roman Empire
Page 213 and 214: was the protagonist’s inability t
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Page 217 and 218: 202 HISTORY OF THE WORLD, PART I (1
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Page 221 and 222: 3 How does the sequence incorporate
Page 223 and 224: Plot Outline In the year ad 180, th
Page 225 and 226: vets them with color codes. Maximus
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Page 233 and 234: morale of Roman legionaries on long
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Page 237 and 238: 38). Although dismayed by the games
Page 239 and 240: In contrast to earlier epics like Q
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$3 million. A dedication in the clo
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soft, admiring light of nostalgia.
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The film hinges almost completely o
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with the reluctance of Maximus to a
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attitudes about female political sk
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hero Maximus, an event that leaves
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Earlier epic films traditionally si
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laughs bitterly through tears when
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his new gladiator idol, as he waits
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246 GLADIATOR (2000) Plate 15 Gladi
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“Fear and wonder,” Senator Grac
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the provincial arena in Zucchabar,
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the words of Maximus’ prayer in a
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The field of wheat is thus a symbol
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city, Maximus becomes a symbol both
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2 Reference Maltin, Leonard, et al.
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Killed Spartacus? How Studio Censor
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Index Page numbers in italic refer
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Caesar, Sid 166, 197 Caesarea 44, 6
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Falco (Gladiator) 208, 210, 212 The
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Jackson, Peter 83 Jacoby, Georg 18
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musical scores A Funny Thing Happen
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The Road Warrior 230 The Robe 3, 22
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Via Appia 11, 12, 21, 24, 95, 99, 1
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