Big Screen Rome - Amazon Web Services
Big Screen Rome - Amazon Web Services
Big Screen Rome - Amazon Web Services
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tackle some extremely touchy topics, none more sacred than the mindnumbing<br />
conformity that occurs within collective structures, such as organized<br />
religion and other dogma-defined groups, which were becoming<br />
increasingly common in the fragmented years of the 1970s and early 1980s.<br />
Cleese declares that the film takes on “closed systems of thought, whether<br />
they are political or theological or religious or whatever; systems by which<br />
whatever evidence is given to a person, he merely adapts it, fits it into his<br />
ideology” (quoted by Hewison, 87).<br />
Many scenes in the film parody the formation and trappings of modern<br />
religious organizations. In the Street of Prophets scene, there is an<br />
unseemly smorgasbord line-up of gurus, like a self-help section in a bookstore,<br />
and the multiplicity of their messages suggests there is no “true”<br />
message. The people who seek answers are depicted in a markedly negative<br />
way, first hostile and demanding, then fawning and fanatic. When<br />
Brian assures one of the seekers: “I am NOT the Messiah!” the man rudely<br />
shoots back: “I say you are, Lord, and I should know, I’ve followed a few.”<br />
After the followers of Brian unilaterally elevate him to Messiah, groveling<br />
around him in an orgy of thoughtless submission, they suddenly split up<br />
into rival factions with competing symbols (“Follow the holy gourd of<br />
Jerusalem!”), in a biting send-up of religious schisms. The rabid and uncompromising<br />
intolerance of some religious groups is satirized when the<br />
old hermit, who represents the unpersuaded minority, denies that Brian is<br />
the Messiah, and is thus persecuted as a “heretic.” The Pythons took clear<br />
aim at this target, as Idle says: “It’s a very Protestant film, it’s about people<br />
interpreting, people speaking for God and people wanting to kill for God<br />
which is what they still do. To question people’s strong belief system<br />
is very threatening to them” (quoted in Cleese et al., 305). True to the<br />
Python sense of irreverence, the very threat of a blasphemy charge against<br />
their film is lampooned in the scene where Matthias is sentenced to be<br />
stoned for uttering the name of God during a particularly nice meal:<br />
“Look, I’d had a lovely supper and all I said to my wife was, ‘That piece of<br />
halibut was good enough for Jehovah.’” The Jewish official supervising the<br />
execution goes berserk: “Blasphemy! He’s done it again!” Not surprisingly,<br />
Matthias gets away, while the authorities get whacked.<br />
Conformist group mentality among secular “special interest groups”<br />
also comes in for the scathing Python treatment in Life of Brian. The anti-<br />
Roman activist organization, the People’s Front of Judaea, exhibits a pretentious<br />
and sanctimonious display of corporate equality, but the utterly<br />
self-interested ambitions and desires of individual members form an<br />
MONTY PYTHON’S LIFE OF BRIAN (1979) 189