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Big Screen Rome - Amazon Web Services

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in classic epics like Quo Vadis, Ben-Hur (1959), and The Fall of the Roman<br />

Empire (1964), but also recalls an earlier comic send-up of the chariot race<br />

at the end of A Funny Thing Happened on the Way to the Forum.<br />

Brooks puts himself into the Roman Empire sequence of History of the<br />

World, Part I, as he does in almost all his films, playing the role of Comicus,<br />

a humble “stand-up philosopher” trying to make a living – and stay alive!<br />

– during the reign of the emperor Nero. Alongside him in the supporting<br />

cast are several outstanding veterans of earlier Brooks films, whose comic<br />

brilliance enlivens the pompous historical settings and scenes. These exaggerated<br />

characters provide the principal dose of direct lampoon of earlier<br />

epic films and their stock figures: “Consistent with genre parody, the characterizations<br />

are based upon film conventions rather than on any plausible<br />

human realism” (Yacowar, 147). The obnoxious Nero, played by Dom<br />

DeLuise, bloated with boredom and wine, evokes the depiction of the<br />

emperor in earlier epics, especially Peter Ustinov’s slimy-suave Nero in<br />

Quo Vadis, and hardly needs to be embellished here to produce a comic<br />

effect. As his wife, the luscious and insatiable Empress Nympho, played by<br />

frequent Brooks siren Madeline Kahn, is a send-up of oversexed Roman<br />

imperial temptresses such as Poppaea in Quo Vadis. Kahn has some of the<br />

film’s best one-liners, saturated with sexy double entendre, as in her wideeyed<br />

question to one of her centurions about employment opportunities<br />

on her personal staff: “Oh Bob, do I have any openings that this man<br />

might fit?”<br />

Also standard in earlier epics about the ancient world are figures from<br />

the Roman army, here embodied by the commander Marcus Vindictus,<br />

played by Shecky Greene, as a stiff-necked but loose-limbed version of the<br />

sturdy cinematic Roman general, like Marcus Vinicius in Quo Vadis (whose<br />

name is obviously parodied) or Messala in Ben-Hur. A couple of fictional<br />

roles round out Comicus’ circle of friends. His agent, Swiftus Lazarus,<br />

played by regular Brooks collaborator Ron Carey, is a nod to the famous<br />

show-biz agent Irving “Swifty” Lazar. Swiftus tries to help Comicus during<br />

his ill-fated performance at Nero’s palace. Like a good stand-up,<br />

Comicus sets up a topical joke: “The Christians are so poor . . .” And<br />

Swiftus gives the formulaic answer from the wings: “How poor are they?”<br />

“They’re so poor . . . they have only one god!” Dancer Gregory Hines plays<br />

runaway slave/palace wine steward/failed eunuch Josephus, in a role originally<br />

intended for Richard Pryor (Crick, 131–2). The Roman Empire<br />

sequence also features other familiar comic faces in small but attentiongrabbing<br />

parts, such as Bea Arthur, from the 1970s television series Maude,<br />

in an uncredited role as the dole office clerk.<br />

200 HISTORY OF THE WORLD, PART I (1981)

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