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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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87 The Breaking Point<br />

where people get to if they start thinking their moods and emotions<br />

are the only thing in life.<br />

The same day, he continued: ‘‘She was evidently very tired when she<br />

wrote . . . been working too hard . . . an’ I’m damned if I see ‘lost<br />

everything.’ Where you got the idea that you don’t want a younger man?’’<br />

He added, ‘‘not too conceited, without too many brains, obviously not<br />

hideous. . . . I’d like to know why you think you wouldn’t be perfectly<br />

happy with the above?’’<br />

<strong>Olga</strong>: ‘‘Am I supposed to want the younger man without any brains—<br />

instead of, or in addition to himself? He means kindly, obviously, but He<br />

will never be praised for his insight into the ’uman ’art.’’<br />

When He first knew her . . . he seemed to consider her of the<br />

same species (a very poor or inferior kind of course) as himself.<br />

Now he speaks of ‘‘me’’ and ‘‘my,’’ ‘‘my’’ world, in contradistinction<br />

to ‘‘you’’—can he tell her why she is to be kept outside?<br />

The monde of ‘‘Mr. and Mrs. E.P.’’—only people who can tell a<br />

good anecdote of the 1890s admitted. . . . You should have a nice<br />

crowd of Bolcheviks to break up all the smug people you have<br />

around, who talk about ‘‘artistes.’’ . . . I shall bring the Leoncina up<br />

illiterate, let your damn Omar have the ’90s.<br />

<strong>Ezra</strong>: ‘‘She fed up with hartists, an’ he about fed up with women.’’ In<br />

Canto 29, <strong>Pound</strong> had written: ‘‘the female / Is a chaos / an octopus / a<br />

biological process.’’ Only in his last years did he pay full homage to <strong>Olga</strong>’s<br />

courage, her sacrifice, her importance to him as a poet. At forty-four, he<br />

was still exhibiting the characteristics of a spoiled only child, a condition<br />

later diagnosed at St. Elizabeth’s Hospital as narcissism, an inability to<br />

know one’s own emotions or to empathize with others, and often an<br />

unconscious (or conscious?) need to exploit.<br />

In spite of the emotional impasse with <strong>Ezra</strong>, <strong>Olga</strong> was beginning to<br />

enjoy the fruits of her labors at 252, calle Querini: ‘‘There is no greater joy<br />

possible than standing ’round watching other people do what you tell<br />

them. . . . She hasn’t enjoyed anything so much since she used to tag

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