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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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6<br />

The Hidden Nest<br />

70<br />

1927–1928<br />

‘‘The house that changed my life’’<br />

<strong>Ezra</strong> was not in Budapest for <strong>Olga</strong>’s January 28 concert at the Music<br />

Academy with Antheil and Kosa Gyorgy. An early press notice announced<br />

the event, but ‘‘what sort of reception the temperamental Budapesters<br />

gave them has not yet been told.’’ <strong>Ezra</strong> sent a telegram of auguri (congratulations)<br />

to the Hotel Bellevue and wrote to Sisley Huddleston, the Paris<br />

critic: ‘‘I learned from collateral evidence that OR played exceedingly well<br />

(3rd and 1st violin sonatas), and that M. Antheil tried out a new piano<br />

concerto’’—which caused another riot. <strong>Pound</strong> believed in ‘‘big drum’’ to<br />

publicize the concerts, and <strong>Olga</strong>’s conservative approach brought this<br />

outburst: ‘‘god, christ and the buggerin’ virgin—what the hell do<br />

you mean by sending me only one program? . . . in the early stages of a<br />

career the utility of performance is . . . enhanced by allowing the fact to<br />

leak out—damn the expentz!’’<br />

<strong>Olga</strong> stopped writing for several weeks, and <strong>Ezra</strong> attempted to woo her<br />

back with a Valentine that arrived with apologies—too late. She was<br />

preparing for another concert at the Sala Capizucchi in Rome on February<br />

19 and was not sure if young ‘‘Jawg,’’ on the eve of departure for America,<br />

would appear.

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