28.01.2013 Views

Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

260 <strong>Olga</strong> Triumphant<br />

national television station, and his wife; Christopher and Mary Cooley;<br />

Signor Puccelli from Rapallo; Dottoressa Zaira Amman Semenza.<br />

Gianfranco Ivancich had gone early in the morning on November 2 to<br />

choose a burial site for <strong>Pound</strong> in the evangelical section of the cemetery of<br />

San Michele dell’Isola, in the north lagoon close by the graves of two other<br />

cultural giants of the century, Igor Stravinsky and Serge Diaghilev.<br />

‘‘<strong>Ezra</strong> <strong>Pound</strong> wished to be buried in Idaho,’’ <strong>Olga</strong> noted, ‘‘in view of the<br />

Sawtooth Range. He had made known in writing to his Committee in<br />

1967, [but] legally he was not free to manage his a√airs. ‘Venice or Rapallo,<br />

wherever I happen to be, she knows my wishes’—he left the arrangements<br />

to me.’’<br />

A black, gilt-edged gondola, gondoliers dressed in white, a co≈n covered<br />

with a blanket of wreaths from Venice and Sant’Ambrogio—there<br />

were no flowers in the church—left the mooring of San Giorgio. <strong>Olga</strong><br />

whispered a line from The Cantos: ‘‘For the gondolas cost too much that<br />

year,’’ recalling <strong>Ezra</strong>’s early days in Venice.<br />

From a room on the Riva degli Schiavoni, overlooking ‘‘the far-shining<br />

lagoon,’’ Henry James described ‘‘the faint shimmering airy watery pink;<br />

the bright sea light seems to flush with it, and the pale whitish green of<br />

[the] lagoon and canal to drink it up.’’ <strong>Olga</strong> saw San Michele as ‘‘a place of<br />

unlopped trees, of birds: ‘not of one bird, but of many . . .’ ’’ She recalled that<br />

young <strong>Ezra</strong>, newly arrived in Venice, had been inspired by a painting—<br />

Processione a San Michele—to write a poem, ‘‘For Italico Brass,’’ dedicated<br />

to its artist.<br />

From boat to boat, the bridge makes long its strand<br />

And from death’s isle, they on returning way<br />

As shadows blotted out against far cloud<br />

Hasten for folly or with sloth delay.<br />

When thou knowest all that these hues strove to say<br />

Then shalt thou know the pain that eats my heart<br />

Some see but color and commanding sway<br />

Of shore line, bridge line, or how are composed<br />

The white of sheep clouds in the wolf of storm

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!