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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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109 Rare and Unforgettable Concerts<br />

Lenten afternoon service.’’ Ramooh, a talented artist, recovered her health<br />

and good spirits su≈ciently to ask <strong>Olga</strong> to sit for her portrait.<br />

<strong>Olga</strong> met <strong>Ezra</strong> in Milan at the Hotel Angioli e Semproni on March 21 en<br />

route to Paris for her next performance. His work on The Cantos was<br />

progressing, and <strong>Olga</strong> was ‘‘very bucked up being allowed to see a canto<br />

[38] again—quite a sti√ one for the meanest intelligence.’’ <strong>Ezra</strong> ‘‘wuz<br />

pleased to see her lookin’ more cheerful before she left.’’<br />

Frau Marcher sent a Buona Pasqua card of two little girls in a meadow,<br />

enclosing a snapshot of Leoncina in the new shoes <strong>Ezra</strong> had purchased.<br />

<strong>Olga</strong> was not with her daughter. She was with the Richardses in Hook<br />

Heath, embroiled in family problems—Kathleen’s separation and divorce.<br />

‘‘The unspeakable Dale,’’ <strong>Ezra</strong> wrote, unaware of his own shortcomings:<br />

‘‘[He] is the kind of male pustulence that does not appeal to muh [me]!!<br />

However how th’hell iz the male to give pleasure to the utterly kantankerous<br />

sex?’’<br />

Kathleen, who was ‘‘astonishingly fit,’’ played six Beethoven sonatas in<br />

concert with <strong>Olga</strong>, who was herself su√ering from another nervous crisis,<br />

‘‘past caring . . . in a state of fatigue.’’ She could always rely on the old<br />

family friends for sustenance, ‘‘being fed on cream and stout and sleeping<br />

in feathers and half asleep most of the time, which is probably good for the<br />

nerves, the rest of the time she is playing, which is good for morale, so she<br />

will probably survive.’’<br />

Teddy’s telephone call from Spondon on her April birthday she considered<br />

‘‘kind and brotherly.’’ She had begun to take contract bridge lessons<br />

from Mrs. Richards, ‘‘worryin’ when she gets a good hand, in case it means<br />

she is to be ‘unlucky in love’.’’<br />

She and Kathleen ‘‘got through all Beethoven, all Brahms, Debussy, and<br />

John Ireland, and a new Mozart concerto . . . so time not wasted,’’ she<br />

wrote <strong>Ezra</strong> (though <strong>Olga</strong> considered all time away from <strong>Ezra</strong> lost time).<br />

He again postponed their meeting in Paris because Dorothy was ill with<br />

flu. He was passing the time editing the manuscript of <strong>Olga</strong>’s detective<br />

story, ‘‘The Blue Spill,’’ and reserving her description of a day in London<br />

for a Canto.<br />

<strong>Olga</strong>’s ‘‘day in London’’ began at five o’clock in the afternoon, when<br />

she left Hook Heath by car with Kathleen and the Richardses to dine at the

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