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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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10<br />

Overture to War<br />

1939–1940<br />

‘‘Waitin’ for one or other cat to jump’’<br />

In the spring of 1939, <strong>Ezra</strong> returned to the United States for the first time<br />

in twenty-eight years. He had corresponded with senators and congressmen,<br />

expounding his economic theories in an attempt to convince them of<br />

the errors of the Roosevelt Administration. The time had come to go to<br />

Washington to straighten things out. He boarded the S.S. Rex in Genoa on<br />

April 13, Je√erson’s birthday—‘‘and hers,’’ <strong>Olga</strong> wrote; ‘‘she hates being<br />

out of everything—yeow!’’<br />

‘‘Glad you have come over in the nick of time, for eye-opening,’’ wrote<br />

the Princesse de Polignac, who had preceded him on the Queen Mary and<br />

was ensconced in the Plaza Hotel. On his arrival, the Herald Tribune called<br />

<strong>Pound</strong> ‘‘a prophet who taught his generation to throw o√ what he called<br />

the ‘smoke screen erected by half-knowing and half-thinking critics’.’’ A<br />

Sun editorial heralded ‘‘that bearded wanderer upon the literary waste<br />

lands of our sorry world,’’ whose ‘‘chief concern, literature, is now a<br />

minor theme in the <strong>Pound</strong>ish symphony . . . immediately the talk turns to<br />

economics, propaganda, and what he calls ‘left-wing Fascists’ in Italy.’’<br />

After elaborating his theories in New York, <strong>Ezra</strong> took the train to<br />

Washington, ‘‘the only inhabitable American city I know of.’’ He stayed in<br />

135

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