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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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199 A Visitor to St. Elizabeth’s<br />

attempt to give him a real ‘Buster Brown’ or ‘Enfants d’Édouard’ cut,<br />

pleasing to his ma and grandma, but not to him. . . . I intend getting him a<br />

black velvet Russian blouse to wear with his lace collar.’’<br />

The kitchen, ‘‘where we have meals, now it’s cold,’’ was a pleasant<br />

room with a large basket of red apples from Walter’s orchard on top of the<br />

white-wood kitchen dresser. A still larger wicker basket held Patrizia,<br />

‘‘sitting up and taking notice of boy-blue brother, the kind of picture wot<br />

would make some poor painter’s fortune as a cover for Home magazine—<br />

so American!’’<br />

To <strong>Olga</strong>’s eyes, Mary was ‘‘much more sensible than I ever was, in<br />

many ways, older, but she has had wot she wanted with a minimum of<br />

waiting, whereas I have been rotted with waiting, and now it [is] too late.<br />

She can cut a loss, and I go on sorrowing.’’<br />

<strong>Ezra</strong> asked <strong>Olga</strong> to send a photograph of herself, but she refused:<br />

‘‘Why should He want photos of her as she is now? He has left it too long.<br />

She doesn’t think she would have the courage to see Him now if He were<br />

here.’’ ‘‘Xmas is upon us again,’’ she continued; ‘‘not feeling festive, but<br />

will make [the] e√ort for the young.’’<br />

Early in 1951, Mary left the castle with her cousin Peter when he<br />

returned to England. She was beginning to share some of her mother’s<br />

disillusionment with her marriage. ‘‘Nothing has turned up in the way of<br />

letting flats . . . no point in my going back, not knowing where the next<br />

money [is] coming from. . . . If I have enough patience, Boris will get on to<br />

something regular in time . . . he wants me back,’’ she wrote her mother.<br />

She had been visiting Oxford, Bath, and Exeter: in <strong>Ezra</strong>’s words, ‘‘motoring<br />

all over England looking fer [a] farm fer young Peter.’’ ‘‘I think she is<br />

(quite unconsciously) making a refuge for herself and infants—and could<br />

do worse,’’ <strong>Olga</strong> wrote.<br />

She was at the Palazzo Bonlini with Blanche Somers-Cocks in late<br />

February, in Venice to assess the war damages to the calle Querini house.<br />

She spent all one day at the consulate and with lawyers, got to the Piazza<br />

San Marco in the evening, ‘‘just a bit of mist and people hurrying, not a<br />

soul she knew—like limbo might be.’’<br />

In early March, she went to Rome for a long interview with a legal<br />

adviser to Americans seeking reparations and submitted a damage claim to

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