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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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99 The Breaking Point<br />

from Japan, and the exotic dress hanging on her mother’s looking-glass<br />

door was a kimono. On the wall of the staircase leading up to the top floor<br />

was a painting in shades of gray by the Japanese artist Tami Koumé:<br />

‘‘chaos, the universe, or the torso of a giant, crucified.’’ The small studio<br />

above was Mary’s room, with a bed ‘‘stifled with a voluminous mosquito<br />

net,’’ a long bookcase, desk, and square wooden armchair, <strong>Ezra</strong>’s creations.<br />

In the bookcase was a rare, crumbling volume of Ovid, bound with<br />

wooden boards. In Canto 76, <strong>Ezra</strong> would recall,<br />

the hidden nest, Tami’s dream, the great Ovid<br />

bound in thick boards, the bas-relief of Ixotta.<br />

The days of Mary’s yearly visits followed a familiar pattern. Immediately<br />

after breakfast, her father (whom she called ‘‘Babbo’’) walked over<br />

the bridge to Signora Scarpa’s, where he rented a room to work in. Mary<br />

did not exactly understand what Babbo called ‘‘work’’; it wasn’t tending<br />

the animals or harvesting the crops as the men did in her village. (Babbo<br />

said he worked with his head. Hard work, much thinking. Everyone must<br />

work, either with his hands or with his head, he told her.) His return<br />

toward noon was signaled by the tapping of the black malacca cane, a<br />

rattle of keys, and a loud, prolonged ‘‘Miao.’’ From the floor above, a<br />

‘‘Miao’’ answered back. It was time to go shopping with Babbo, a happy<br />

ritual for the child, a walk from San Gregorio to the Salute, or a short<br />

traghetto ride across the Canal Grande or from Punta della Salute to San<br />

Marco. After the errands, there were treats at Moriondo’s, the pastry shop,<br />

or a stop for an aranciata at the American Bar under the clock tower.<br />

When they returned, the sound of <strong>Olga</strong> practicing the violin: ‘‘precise,<br />

passionate.’’ Again, ‘‘Miao.’’ The music stopped and <strong>Olga</strong> descended from<br />

her room, and mother and daughter prepared a light lunch: often a salad<br />

of plum tomatoes and white beans, cheese, artichokes and peaches, slices<br />

of freshly baked bread. <strong>Olga</strong> liked to set an attractive table, and Mary’s job<br />

was to find a few flowers creeping over the walls from the neighbor’s<br />

garden to put in the finger bowls.<br />

After lunch, <strong>Ezra</strong> went back to Signora Scarpa’s, and mother and<br />

daughter stretched out together on the big velvet sofa. <strong>Olga</strong> read in

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