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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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225 A Piece of Ginger<br />

waiting all her life for (now agli sgoccioli [reaching the last drop])? She<br />

would like to see Him . . .’’<br />

<strong>Olga</strong> returned to Martinsbrunn for Valentine’s Day. She was in Bologna,<br />

waiting in the station café on her way back to Siena, when she wrote<br />

Duncan: ‘‘E . . . had a bad spell ten days ago (it’s that beastly changing<br />

catheter business), now back to where he was before, i.e., eating, showing<br />

interest in newspapers . . . surprised Mary by being dressed and ready to go<br />

out a few days ago . . . walked as far as the gate and back with no fatigue.<br />

He worried me by [sending] a telegram, ‘Keep hoping.’ I was expecting<br />

bad news . . . instead, he was admitting that there was hope . . . a great<br />

step.’’ Soon after, <strong>Olga</strong> received a letter from <strong>Ezra</strong> asking if there was a<br />

possibility of Anita Pellegrini putting him up at Sant’Ambrogio. He recalled<br />

with nostalgia how he had tried to walk up the hill alone when last<br />

in Rapallo, but when he got to the landmark eucalyptus, he discovered the<br />

old donkey path was being surfaced with cement and temporarily impassable.<br />

‘‘You deserve ten years for us to go over the pleasant things, from rue<br />

Chamfort onward,’’ he wrote, remembering ‘‘the walk along the Seine for<br />

N[atalie Barney]’s party (I kept the rue Chamfort key for years after) . . .<br />

the Piazza and the cloistre, the Capoquadri, and Roma, that uncomfortable<br />

room near the Corso, and the case for the brick balustrade to the stair,<br />

Calle Querini, she always finding things for him, and he snarly, she<br />

forgiving the snarl—her way with Anita and the people at Sant’Ambrogio,<br />

her kindness to people, him blind, with inferiority complex.’’ (He<br />

echoed these sentiments in Canto 113: ‘‘in every woman, somewhere in the<br />

snarl is a tenderness.’’)<br />

In March, <strong>Olga</strong> heard the Vivaldi Gloria—with chorus, orchestra, and<br />

soli from Florence—performed at the Teatro dei Rinnovati for the first<br />

time ‘‘since [Alfredo] Casella conducted same in Chiesa di San Francesco<br />

in 1939 . . . the ‘Agnus Dei’ as beautiful as [the] one in Bach B minor Mass.’’<br />

No news from the Alto Adige: ‘‘Hope all is serene and that He will tell<br />

them females what He wants. Please reassure everyone (including Himself<br />

), I am not starving and don’t need financial aid. If He comes to Sant’<br />

Ambrogio, He only need think about His own expenses, which should be<br />

less than Martinsbrunn.’’

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