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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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3<br />

Halcyon Days No More<br />

24<br />

1910–1918<br />

Between the Turn of the Century and the Great War<br />

Soon Julia decided it was time to send her daughter to the Paris Conservatoire<br />

to perfect her technique under Maestro León Carambât, first violinist<br />

of the Opéra Comique. She resigned her position at the Delle Sedie<br />

School and, taking the two young brothers with her, signed a lease beginning<br />

September 1910—renewable every two, four, or six years—on a<br />

choice apartment in the Sixteenth Arrondissement.<br />

‘‘Mother always insisted that we live in beautiful places,’’ <strong>Olga</strong> recalled.<br />

The <strong>Rudge</strong>s were tenants of the prémière étage of 2, rue Chamfort, a<br />

graceful six-story building with iron balustrades designed by the contemporary<br />

architect M. Blanche. A salon with four large windows faced the<br />

quiet courtyard of an Ursuline convent across the way; the spacious dining<br />

room and two bedrooms occupied the rest of the floor, with a maid’s<br />

room above and storage below in the sous-sol. The monthly rent of thirtyeight<br />

hundred francs (plus charges of six hundred francs) included steam<br />

heat, rugs, a lift, and a concierge on duty from 8 a.m. till 10 p.m., amenities<br />

quite rare in pre–World War I Paris. The apartment was furnished with<br />

handsome old English pieces brought over from Hill Road, Julia’s desk<br />

and a lacquered oriental cabinet that held bibelots and jewelry she later

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