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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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203 A Visitor to St. Elizabeth’s<br />

Chestnut Ward, which was granted by Dr. Samuel Silk, acting superintendent.<br />

She booked third-class passage on the S.S. Italia out of Genoa,<br />

posting her first letter to <strong>Ezra</strong> from Gibraltar: ‘‘She ain’t occupying the<br />

bridal suite . . . nine hundred immigrants got on at Naples, buona gente,<br />

three in a cabin for four . . . [but] found [the] shower room functions, got a<br />

top berth, [and] am doing well.’’ Her circumstances improved when she<br />

went to the purser’s o≈ce to collect mail. Noticing correspondence from<br />

the Accademia, the purser explained that he was also a lover of good<br />

music—his aunt had a Steinway, and the Trio di Trieste practiced on it. He<br />

handed over a pass to first class with his blessing for the rest of the trip.<br />

There was also a letter from <strong>Pound</strong>. ‘‘O.K., you bin put on as custodian,<br />

and can take me out to grass from 1–4 p.m. Will be at window at 1, if you<br />

don’t see me, yowl!’’ <strong>Ezra</strong> had asked <strong>Olga</strong> to bring her violin ‘‘to play the<br />

Jannequin for 5 or 6,’’ but <strong>Olga</strong> refused: ‘‘He never realized that it [is] as<br />

great a strain for her to play for 5 or 6 as for 500 or 600. She is not going to<br />

play the violin until she can make a proper comeback, and that is that.’’<br />

It was not the season for <strong>Ezra</strong>’s nostalgic eucalyptus pips or favorite<br />

apricots, but she was bringing two small suitcases containing copies of the<br />

Cavalcanti opera, a few oro (gold coins), clippings, the Accademia Quaderni,<br />

the Villon score (‘‘will do the copying myself in Washington’’), and,<br />

for sentimental reasons, his gift of a flask of perfume in a tiny red heart.<br />

<strong>Olga</strong> did not linger to visit friends in New York; instead she immediately<br />

caught the Pennsylvania Railroad to Washington. She received a<br />

warm welcome at Caresse Crosby’s red brick row house on Q Street in<br />

Georgetown. Crosby, who had been <strong>Pound</strong>’s publisher in Paris in the<br />

1920s, had moved to Washington during World War II to open a contemporary<br />

art gallery as a venue for war-exiled artists. She was then publishing<br />

Portfolio, an innovative literary magazine for promising young writers,<br />

and lobbying for Women Against War.<br />

<strong>Olga</strong> timed her visit to St. Elizabeth’s for her fifty-seventh birthday,<br />

April 13. The hospital occupies a group of venerable red brick buildings in<br />

southeast Washington across the Anacostia River, and from the grounds<br />

high on a hill an unsurpassed view of the nation’s capital stretches as far as<br />

the eye can see. The wife of a former superintendent whose hobby was<br />

horticulture supervised the landscaping, soliciting donations of rare trees

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