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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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122 Rare and Unforgettable Concerts<br />

Katherine Dalliba-John, who consoled her with a generous gift: ‘‘I am<br />

sending you this little help, because I can leave you so little money after<br />

my death.’’ When she returned to Florence for another concert in May,<br />

<strong>Ezra</strong> joined her and wrote another pu√ piece for Il Mare: ‘‘On the 7th of<br />

this month our musicians played in the salon of the well-known music<br />

patroness, Mrs. Dalliba-John in Florence, a salon frequented by Pizzetti,<br />

Mainardi, and others in the musical world. . . . [The poet] Eugenio Montale<br />

and other Florentine celebrities were also present.’’ After he left, <strong>Olga</strong><br />

said that ‘‘the earth seems to have stopped moving, but she supposes it<br />

really ain’t.’’<br />

From Rapallo, <strong>Ezra</strong> wrote that Gerhart Münch ‘‘has been nearly o√ his<br />

head with worry about his god damn country [Germany] . . . the problem<br />

of being interned in event of war.’’ <strong>Pound</strong> was inviting other international<br />

artists to Rapallo: pianists Luigi Franchetti and Renata Borgatti, the Hungarian<br />

Quartet, and violinist and composer Tibor Serly.<br />

In July, <strong>Olga</strong> joined <strong>Ezra</strong> and James Laughlin in a long-postponed<br />

motor trip to the town of Wörgl in Austria, one of two places where Silvio<br />

Gesell’s stamp scrip—<strong>Pound</strong>’s panacea for monetary reform—was accepted.<br />

<strong>Ezra</strong> would recall (in Canto 74)<br />

a nice little town in the Tyrol in a wide flat-lying valley<br />

near Innsbruck . . .<br />

[where the] mayor of Wörgl<br />

who had a milk route<br />

and whose wife sold shirts and short breeches<br />

and on whose book-shelf was the Life of Henry Ford<br />

and also a copy of the Divina Commedia.<br />

They visited Mary at Gais and continued on to the Salzburg music festival<br />

in Laughlin’s Ford, ‘‘one of the best trips I ever made,’’ said Laughlin.<br />

When <strong>Ezra</strong> heard Toscanini conduct Beethoven’s Fidelio at the Festspielhaus,<br />

Laughlin wrote in his memoir, ‘‘after about fifteen minutes, [he]<br />

reared up in his seat and expostulated quite loudly: ‘<strong>What</strong> can you expect?<br />

The man had syphilis.’ We trooped out and Toscanini didn’t miss a beat.’’<br />

Back in Venice in August, <strong>Olga</strong> noted, ‘‘everyone seems very cross and

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