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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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236 The Last Ten Years<br />

after the tourists had gone. With another Greek friend, they attended an<br />

outdoor exhibition of modern sculpture, including a Gaudier-Brzeska dog<br />

that ‘‘did not fill EP with enthusiasm.’’ The highlight of the trip was the<br />

‘‘sacred fount’’ at Delphi that <strong>Ezra</strong> had visited only in his imagination<br />

when writing The Cantos:<br />

Castalia is the name of that fount in the hill’s fold,<br />

the sea below . . .<br />

Grove hath its altar<br />

under elms, in that temple . . . (Canto 90)<br />

After <strong>Ezra</strong> joined <strong>Olga</strong> in 1962, she had begun to throw the coins for<br />

the I Ching readings daily for both of them. In 1966, she started to record<br />

her findings in a series of blue school notebooks (‘‘to put some order into<br />

my a√airs’’): ‘‘These hexagrams have always been made, usually in the<br />

morning, first thing after breakfast . . . commencing with mine, read<br />

aloud to <strong>Ezra</strong>, then his,’’ she noted. (<strong>Pound</strong> mentioned the I Ching in<br />

Canto 102—‘‘50 more years on the Changes’’—inspired by Confucius’s<br />

saying, ‘‘If many years were added to me, I would give it to the study of<br />

the Book of Changes.’’) On the flyleaf of the first notebook, he scrawled:<br />

‘‘<strong>Olga</strong> = Courage.’’<br />

The earliest notebooks contained only the hexagrams, but soon <strong>Olga</strong><br />

began to record <strong>Pound</strong>’s health, diet, response to visitors, and dreams,<br />

interspersed with her own thoughts and reminiscences of childhood, family,<br />

and friends. The notebooks also included ‘‘notings down’’ that <strong>Olga</strong><br />

happened upon when thumbing through The Cantos, Guide to Kulchur, and<br />

other (often undocumented) sources, for example: ‘‘Curiosity, that’s my<br />

advice to the young—have some curiosity,’’ and ‘‘A good deal of literature<br />

seems to spring from hate, but something vital emerges from the fragments,<br />

which is not hate’’ (translated from the Italian). The so-called I<br />

Ching Notebooks provide a valuable record of the last ten years of the<br />

poet’s life and are closely interwoven into the text of this biography.<br />

<strong>Ezra</strong> began su√ering from severe depression again and was admitted to<br />

the Fazio Clinica delle Malattie Nervose e Mentali of the University of<br />

Genoa on March 11, and he remained there until April 16. Professor

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