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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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237 The Last Ten Years<br />

Cornelio Fazio, who examined <strong>Pound</strong>, wrote this report: ‘‘The patient<br />

was . . . almost completely silent, uttering only a few words when questioned,<br />

impaired physically, often refused food. . . . Sometimes, prompted<br />

by external situations (travels, environmental modification), Mr. <strong>Pound</strong><br />

exhibited fairly normal activity and interest. . . . Ideas of self-accusation<br />

and hypochondriacal delusions were always present. . . . These ideas and<br />

the general inhibition could probably account for the refusal of food. . . . It<br />

seemed as if the personality of the patient had always been on the autistic<br />

side . . . so that a psychotic-like situation came out permitting, and perhaps<br />

encouraging, poetic activity.’’<br />

<strong>Pound</strong> had been under the care of a young specialist, Romolo Rossi,<br />

who prescribed Tofranil, a powerful drug that left him in what <strong>Olga</strong><br />

described as a ‘‘catatonic state.’’ She telephoned Dr. Bacigalupo, who<br />

moved him out of the clinic.<br />

In <strong>Olga</strong>’s view, travel was a better way to restore <strong>Ezra</strong>’s equilibrium.<br />

They went to Ravenna at the end of May to hear Antoine de Bavier<br />

conduct Bach’s St. Matthew Passion in the Church of Sant’Apollinaire.<br />

<strong>Ezra</strong> was invited again to Poetry Week in Spoleto in July, and read ‘‘most<br />

beautifully.’’ They heard a fine performance of the Verdi Requiem in the<br />

square before the cathedral conducted by Zubin Mehta, and <strong>Olga</strong> recalled<br />

that she had first met Mehta when he was a promising new student at the<br />

Accademia.<br />

Later that summer, news came from Siena that Count Guido Chigi Saracini,<br />

her mentor and benefactor since the founding of the Accademia in<br />

1932, who had furthered the careers of Mehta and many other young musical<br />

stars, was dead. At the time <strong>Olga</strong> was too preoccupied with <strong>Ezra</strong>’s care<br />

to attend the memorial service. Without revealing the depth of the mixed<br />

emotions she felt about the ‘‘zoo’’ and its master, she wrote to close friends:<br />

‘‘He is greatly missed. The Accademia is not the same without him.’’<br />

That November, a tidal wave brought the highest water in Venetian<br />

memory; they were trapped in the house for forty-eight hours. The water<br />

soon reached the cheekbones of Gaudier-Brzeska’s Hieratic Head, and<br />

before it stopped rising it reached table height and stayed there all the next<br />

day. ‘‘But the most striking thing was the dead silence.’’<br />

In another determined e√ort to restore <strong>Ezra</strong>’s health, <strong>Olga</strong> checked into

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