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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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184 <strong>What</strong> <strong>Thou</strong> <strong>Lovest</strong> <strong>Well</strong> Remains<br />

Fascism. ‘‘At a meeting in front of the Monte dei Paschi [Bank], someone<br />

threw a bomb, four guardia wounded. . . . The contadini came into Siena,<br />

unarmed—their women were waiting for them and handed out bastoni . . .<br />

[then] a general strike, everything hermetically shut, Communist posters<br />

against the ‘Governo degli assassini,’ government posters asking population<br />

to assist at this morning’s funeral.’’ <strong>Olga</strong> went with the Count to the<br />

Duomo, near the headquarters of the Fedel Terra, a peasant Communist<br />

association. ‘‘The procession had hardly got past the turn which leads to<br />

the Via di Città when more spari, people started to run. . . . The Sindaco, a<br />

Communist, came to the funeral in his o≈cial capacity . . . someone<br />

shouted, ‘fuori il Sindaco,’ which was taken up by the crowd, and shots<br />

fired from the Fedel Terra balcony . . . armoured cars came out of the<br />

prefettura courtyard, immensely applauded . . . [and] the co≈ns [were]<br />

brought back.’’<br />

The Accademia opened the fifteenth with half the teachers missing,<br />

making it ‘‘very hard to concentrate on anything.’’ Peter Russell, one of<br />

<strong>Ezra</strong>’s disciples and founder of the <strong>Pound</strong> Society in London, came to<br />

Siena. He had met the poet Eugenio Montale, later a Nobel Prize winner, at<br />

a café favored by the Florentine literati, and Montale had launched into a<br />

long tale about <strong>Pound</strong>’s red-haired mistress, ‘‘well calculated to shock a<br />

young Englishman before the days of permissiveness.’’ Russell was inspired<br />

to visit <strong>Olga</strong>. To her eyes, he was ‘‘a nice young man—been all<br />

’round Italy following his Cantos, Mantova, Venice, Rimini, etc., I think a<br />

‘serious character’ ’’ (a term of approval <strong>Pound</strong> used in Canto 114). Thus<br />

began <strong>Olga</strong>’s correspondence with ‘‘his enthusiastic Russell,’’ which continued<br />

for many years.<br />

‘‘My own problems are becoming less important to me,’’ she wrote<br />

<strong>Ezra</strong>, ‘‘[but] the life of a segretaria is a dog’s life. One’s head continually<br />

filled with other people’s concerns. . . . Had my violin cleaned, looked<br />

over by the lutero here, but I have no time or strength or place to play . . .<br />

so much going on, she doesn’t know if she is on her head or heels.’’<br />

At St. Elizabeth’s, <strong>Ezra</strong> remembered ‘‘the flurry in Siena, and the 999<br />

things for her to do, and he ain’t complainin’ about anything save her<br />

wasted energies. . . . He prefers her not to waste energy on hack work any<br />

peon can do.’’

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