Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

153, 154, 155, 158, 161, 162, 164, 165,
166, 167, 168, 177, 179–80, 182–83,
189, 193, 202, 204, 207, 208, 210–11,
215, 218, 228–30, 238, 244, 248, 254,
261–62, 263, 265, 266, 269, 270
Pound, Ezra, 66, 71, 78–79, 118–19, 120;
psychology of, x, 87, 192; appearance
and personality of, 3, 9; in Paris, 4, 6;
as musical composer, 6, 8, 52–54, 101,
104; early life in Wyncote, Pa., 6, 211–
44; walking tours, 6–7, 92, 150; as
critic, 45; fatherhood, 56, 102, 182; at 12
via Marsala (Rapallo), 58, 118, 153–54,
165, 189; impresario of Rapallo concerts,
110, 111, 115–16, 123–24, 129,
132–33, 139; Hamilton College honors,
137, 243–44; Rome Radio broadcasts,
143–45, 149; indictment for treason,
149; in Pisa DTC, 163–68; at St. Elizabeth’s
Hospital, 163, 169, 170, 177, 179,
182, 184, 187–90, 192–211, 216, 220–
21, 222, 235, 267, 268; at Brunnenburg,
216, 217–20; at J. Pini clinic, 222; at
Sanitorium Martinsbrunn, 222–25; at
Villa Chiara, 227–29; at Fazio clinic
(Genoa), 236–37; at Psychiatrische
Universitätsklinik (Basel), 238; dreams,
240, 245; last decade (see Rudge, Olga);
death and burial, 257–61; estate (Family
Agreement), 265–66; in London,
269; centenary celebrations, 282, 283,
285, 286; draft proposal for ‘‘EP Memorial
Trust,’’ 284; birthplace in Hailey,
Idaho, 285
—attitudes: anti-Semitism, 282, 285–86;
on Chinese philosophy, 145–48; on creativity
and sexuality, 1; on economics,
121–22, 123, 134, 136; on Fascism, 64,
178, 186, 190; on monogamy, 127; on
FDR administration, 135; on war, 149,
161–62; on women’s role, 3, 13, 87, 91–
92, 109
—musical compositions: Al Poco Giorno,
279; Cavalcanti (opera), 101, 110, 176,
203; ‘‘Concerto,’’ 116; Fiddle Music,
345 Index
279; Hommage à Froisart, 66; Plainte
pour le Mort du Roi, 8, 279; Sujet pour
Violon, 8, 104, 279; Testament de Villon,
5–6, 8, 50, 59, 66, 67, 88, 97, 101–
2, 104, 176, 195, 201, 203, 232, 233, 247,
252, 278–79
—poetry: ‘‘A Lume Spento,’’ 54; The Cantos,
ix, 2, 44, 61, 63, 89, 90, 109, 136,
147, 155, 165–66, 180, 184, 221, 227,
235, 239, 242, 243, 260, 262, 267, 271,
274, 281, 290; Adams Cantos (62–71),
101, 128; Malatesta Cantos (8–11), 230;
Pisan Cantos (74–84), 166, 188; Canto
1, 207; Canto 9, 61; Canto 17, 277;
Canto 27, 7, 28; Canto 28, 61; Canto
29, 87; Cantos 34–37, 108; Canto 38,
109; Canto 39, 93; Canto 43, 115; Canto
48, 76; Canto 51, 11; Canto 74, 16, 113,
119, 122, 149, 166; Canto 75, 116; Canto
76, 99, 164, 200, 238, 246; Canto 77,
275, 277; Canto 78, 150; Canto 80, 115,
152, 259, 198; Canto 81, 4, 155, 191;
Canto 82, 149; Canto 83, 163; Canto 84,
57, 150; Canto 90, 235, 275; Canto 91,
262, 272; Canto 92, 130; Canto 102,
236; Canto 110, 41; Canto 113, 225;
Canto 114, 184; Canto 117, 218; Confucian
Odes, 183, 206, 219, 221, 230, 232–
33, 270, 273, 281; ‘‘Dawn Song,’’ 280;
‘‘For Italico Brass,’’ 260; ‘‘Night
Litany,’’ 253
—prose: George Antheil and the Treatise on
Harmony, 54; Guide to Kulchur, 233,
236, 281; Hugh Selwyn Mauberly, 220;
Imaginary Letters, 103; Indiscretions,
251; Sextus Propertius, 251; Spirit of
Romance, x
—relations with: daughter Mary, 74, 89–
90, 100, 182, 219, 220–21; Dorothy
Shakespear Pound, 5, 155, 179; Olga
Rudge, 1, 3, 6, 48, 50, 55, 57, 75, 84–85,
86–87, 90–92, 105, 120, 155, 174–76,
218, 221 (see also Rudge, Olga)
Pound, Homer (father), 4, 68, 90, 115, 120,
136, 142, 145, 180, 230, 270, 283