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Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

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76 The Hidden Nest<br />

meaning her adoptive family the Marchers, the good farmers of the Tyrol<br />

who, after a hard day’s labor, gathered for knodl and speck, stories and<br />

song. On December 20, <strong>Olga</strong> observed the colorful procession of St.<br />

Sebastian, patron saint of the village: ‘‘We hung ’round in the snow for a<br />

long time, then a very long trail of men, two-by-two, some with banners,<br />

Herr Marcher holding a tassle.’’ <strong>Pound</strong> must have remembered <strong>Olga</strong>’s<br />

description of the saint’s day when writing Canto 48:<br />

and all the mountains were full of fires, and<br />

we went around through the village . . .<br />

2 men and 2 horses<br />

and then the music and on all sides<br />

children carrying torches and the<br />

carroze with the priests . . .<br />

. . . and the carroze were full of fine flowers.<br />

<strong>Olga</strong> joined <strong>Ezra</strong> in Santa Margherita the week after Christmas, before<br />

returning to Paris and her world of music. Katherine Ruth Heymann,<br />

<strong>Ezra</strong>’s former protegée, and a group of friends were meeting at the Café<br />

Voltaire to plan a forthcoming Alexander Scriabin concert. <strong>Olga</strong> wrote to<br />

<strong>Pound</strong>: ‘‘They decided . . . a circus was [the] ideal place, with lights<br />

reflected on a huge globe—twelve, high above for constellations, eight<br />

below for planets, four for the elements—and K. Heymann somewhere in<br />

the middle on a platform, some 2,000 francs needed for the experiment.’’<br />

<strong>Olga</strong> was amusing herself with a young ‘‘disciple simpatico’’ who envisioned<br />

her as ‘‘a dark night with stars,’’ she wrote, to arouse <strong>Ezra</strong>’s jealousy.<br />

‘‘The young man had a lot to say about the twelve types of people<br />

and twelve tones—listening for the tone and one’s own tone, etc., etc. . . .<br />

He [would not] think of delicately flattering her with good old-fashioned<br />

metaphors.’’<br />

The poet rose to the challenge: ‘‘Elle est une princesse d’orient avecque<br />

[sic] des astres occidentaux / avecque des dents de tigre or-i-ental /<br />

diminué par des pèlerinages dans les forêts des cieux. / Elle est une aube<br />

pré-aubale vaguant aux nuages slaviques pénétrés par des feux glacials aux<br />

temps Hittites. / Piétinant le labyrinthe compliqué des sphères concentri-

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