Olga Rudge & Ezra Pound: "What Thou Lovest Well..."

301 Notes to Pages 66–71
p. 66 ‘‘An her lookin’ ’’: EP to OR, 28 Apr 1926.
p. 66 ‘‘George Antheil’s Ballet’’; ‘‘The carefully upholstered’’: Chicago Tribune
(Paris), 20 June 1926.
p. 66 ‘‘The music was drowned out’’: Beach, Shakespeare & Company, 132–22.
p. 66 Le Testament de Villon: The original score, with EP’s marginal notes, in
Box 143, ORP8/YCAL.
p. 67 ‘‘not quite a musician’s music’’: Thomson, Virgil Thomson, 83.
p. 67 ‘‘Dare say it went fairly well’’: EP to Arturo Brown, 30 June 1926,
EPC/YCAL.
p. 67 ‘‘Miss Rudge has developed’’: ‘‘Who’s Who Abroad,’’ Chicago Tribune
(Paris), 15 June 1926.
p. 68 ‘‘Olga is the seventh gate’’: GA to EP, 13 Aug 1926, EPAnnex/YCAL.
p. 68 Hemingway accompanied Dorothy: Ernest Hemingway to DP, Selected
Letters, ed. Carlos Baker, 742.
p. 68 ‘‘next generation (male)’’: EP to HP & IP, 11 Oct 1926, EPC/YCAL.
p. 68 ‘‘Fitzgerald’s trans. of Omar’’: Paige, ed., Letters of Ezra Pound, 180.
p. 68 ‘‘I divine that you have’’: W. B. Yeats to Olivia Shakespear, 24 Sept 1926,
in Norman, Ezra Pound, 283.
p. 68 ‘‘taps, tests, analyses’’: EP to HP, 18 Nov 1926, EPC/YCAL.
p. 68 ‘‘gee-lorious’’ curls: EP to OR, 19 Nov 1926.
p. 69 ‘‘doing some wild telegraphing’’: EP to HP, 22 Dec 1926, EPC/YCAL.
p. 69 ‘‘Over the chaos’’: MdR, Discretions, 14.
6 the hidden nest (1927–1928)
Principal sources: OR–EP correspondence, ORP1/YCAL; I Ching
notebooks, ORP3/YCAL; Music reviews, ORP8/YCAL.
p. 70 ‘‘what sort of reception’’: ‘‘Music Notes,’’ Chicago Tribune (Paris), 28 Jan
1927.
p. 70 ‘‘I learned from collateral evidence’’: EP to Huddleston, 1 Feb 1927,
EPC/YCAL.
p. 70 ‘‘god, christ’’: EP to OR, 31 Jan 1927.
p. 71 ‘‘the first . . . American-born musician’’; ‘‘slabs of sound’’: New York Herald
(Paris), 19 Feb 1927.
p. 71 ‘‘That Mr. Antheil’s music’’: New York Herald (Paris), 8 Feb 1927.
p. 71 ‘‘Mussolini complimented Miss Rudge’’: New York Herald (Paris), 3 Mar
1927.
p. 71 Mussolini ‘‘played well for an amateur’’: OR interview, Sunday Times
(London), Oct 1985.