tel-00483686, version 1 - 16 May 2010 Histoire du cinéma <strong>et</strong> du film ALLEN, Robert C., <strong>et</strong> Douglas GOMERY, Film History: Theory and Practice, Knopf (New York, 1985). AUMONT, Jacques, <strong>et</strong> al., Histoire du cinéma : Nouvelles approches, Publications <strong>de</strong> la Sorbonne (Paris, 1989). BORDAT, Francis, <strong>et</strong> Michel ETCHEVERRY, Cent ans d’aller au cinéma, Presses Universitaires <strong>de</strong> Rennes (Rennes, 1995). BORDWELL, David, <strong>et</strong> Kristin THOMPSON, Film History, secon<strong>de</strong> édition, McGraw Hill (New York, 2002). GODARD, Jean-Luc. Histoire(s) du cinéma, nouvelle édition, Gallimard (Paris, 2006). LEUTRAT, Jean-Louis, Le cinéma en perspective : une histoire, nouvelle édition, Armand Colin (Paris, 2005). MAST, Gerald, <strong>et</strong> Bruce KAWIN, A Short History of Movies, Longman (London/New York, 2005). THOMPSON, Kristin, Film History: An Introduction, secon<strong>de</strong> edition, McGraw Hill (New York, 2000). Théorie, sémiologie, narratologie, énonciation, point <strong>de</strong> vue ANDREW, J. Dudley, The Major Film Theories: An Introduction, Oxford University Press (New York, 1976). AUMONT, Jacques, <strong>et</strong> al., Théorie du film, Albatros (Paris, 1980). AUMONT, Jacques, Les théories <strong>de</strong>s cinéastes, Armand Colin (Paris, 2005). BERGALA, Alain, Initiation <strong>à</strong> la sémiologie du récit en images, Cahiers <strong>de</strong> l‘audiovisuel, (Paris, 1977). BORWELL, David, Narration in the Fiction Film, nouvelle edition, Routledge (New York, 1987). BRANIGAN, Edward. Point of View in the Cinema, Mouton De Gruyter (Amsterdam, 1985). BRAUDY, Leo (Sous la direction <strong>de</strong>), Film Theory and Criticism: Introductory Readings, sixième edition, Oxford University Press (New York, 2004). BURCH, Noël, Praxis du cinéma, Gallimard (Paris, 1986). CASETTI, Francesco, Les théories du cinéma <strong>de</strong>puis 1945, nouvelle édition, Armand Colin (Paris, 2005). CHATMAN, Seymour, Story and Discourse: Narrative Structure in Fiction and Film, Cornell University Press (Ithaca, 1980). 100
tel-00483686, version 1 - 16 May 2010 COLLET, Jean, <strong>et</strong> al, Lectures du film : Eléments pour une sémiologie du cinéma, Albatros (Paris, 1976). EASTHOPE, Antony (Sous la direction <strong>de</strong>), Contemporary Film Theory, Longman (London, 1993). Enonciation <strong>et</strong> cinéma. Communications n° 38, Seuil (Paris, 1983). GAUDREAULT, André, Du littéraire au filmique. Système du récit, (Klincksieck, 1988). GAUDREAULT, André, <strong>et</strong> François JOST, Le récit cinématographique, Nathan (Paris, 1990). JOST, François, L’œil-caméra, secon<strong>de</strong> édition, Presses Universitaires <strong>de</strong> Lyon (Lyon, 1987). LAPSLEY, Robert, <strong>et</strong> Michael WESTLAKE, Film Theory, An Introduction, Manchester University Press (Manchester, 1988). MAGNY, Joël, Le point <strong>de</strong> vue, De la vision du cinéaste au regard du spectateur, Cahiers du Cinéma / SCEREN-CNDP, (Paris, 2001). METZ, Christian, L’énonciation impersonnelle ou le site du film, Klincksieck (Paris, 1991). METZ, Christian, Langage <strong>et</strong> cinéma, nouvelle édition, Albatros (Paris, 1992). METZ, Christian. Essai sur la signification au cinéma, tomes 1 <strong>et</strong> 2, nouvelle édition, Klincksieck (Paris, 2003). MITRY, Jean, La Sémiologie en question : Langage <strong>et</strong> cinéma, Cerf (Paris, 1987). ODIN, Roger, Cinéma <strong>et</strong> production <strong>de</strong> sens, nouvelle édition, Armand Colin (Paris, 1997). STAM, Robert, Robert BURGOYNE, <strong>et</strong> Sandy FLITTERMAN, New Vocabularies in Film Semiotics, Routledge (New York/London :1992). STAM, Robert, Film Theory: An Introduction, Blackwell (New York, 2000). WOLLEN, P<strong>et</strong>er, Signs and Meaning in the Cinema, Secker and Warburg (London, 1972). Articles, <strong>part</strong>icipations <strong>à</strong> <strong>de</strong>s ouvrages collectifs AUMONT, Jacques, « Le point <strong>de</strong> vue », in Communication n° 23, Seuil, (Paris, 1975), pp.3- 29. BROWNE, Nick, « Rhétorique du texte spéculaire », in Communication n° 23, Seuil (Paris, 1975), pp. 202-11. BARTHES, Roland, « Rhétorique <strong>de</strong> l‘image », in Communications n° 4, Seuil (Paris, 1964). Psychanalyse, réception, spectateur, gen<strong>de</strong>r CASETTI, Francesco, D’un regard l’autre, le film <strong>et</strong> son spectateur, Presses Universitaires <strong>de</strong> Lyon (Lyon, 1998). 101
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