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Rencontres à part: Films, personnages et spectateurs de Woody Allen.

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tel-00483686, version 1 - 16 May 2010<br />

Plan 17.<br />

Le paysage nocturne du plan 12, avec c<strong>et</strong>te fois <strong>de</strong>ux silhou<strong>et</strong>tes, un homme <strong>et</strong> une femme en<br />

robe claire.<br />

MAXWELL (Off) Who is she?<br />

ARIEL (Off) Oh I can‘t tell, they‘re just talking.<br />

DULCIE (Off) Why doesn‘t he kiss her?<br />

Plan 18.<br />

Plan rapproché d’Andrew<br />

ANDREW I know he wants to.<br />

Plan 19.<br />

Plan rapproché d’Ariel<br />

ARIEL I won<strong>de</strong>r why he doesn‘t.<br />

Plan 20.<br />

Voir plans 11 <strong>et</strong> 16.<br />

ADRIAN Oh, he‘s too timid.<br />

DULCIE Does he really want too?<br />

Plan 21.<br />

Voir plans 12 <strong>et</strong> 17.<br />

ADRIAN (Off) She does want him too, look, you can see it, she‘s straining too.<br />

Plan 22.<br />

Plan rapproché d’Andrew.<br />

DULCIE (Off) But he‘s not, he just isn‘t.<br />

MAXWELL (Off) He‘s missing his chance.<br />

Plan 23.<br />

Voir plans 12, 17 <strong>et</strong> 21.<br />

ARIEL (Off) Oh it‘s so sad.<br />

DULCIE (Off) Isn‘t it true that the best opportunities only happen once?<br />

Plan 24.<br />

Gros plan <strong>de</strong> la boule qui explose dans une gerbe d’étincelles.<br />

Plan 25.<br />

Plan d’ensemble du groupe qui réagit <strong>et</strong> s’affole autour <strong>de</strong> la boule qui continue <strong>à</strong> flamber.<br />

ANDREW The house will burn down!<br />

MAXWELL You really invented som<strong>et</strong>hing here Andrew.<br />

ANDREW Yes, but what?<br />

LEOPOLD It‘ll die down, look.<br />

ANDREW I hope so, I just can‘t seem to put the thing out.<br />

Le feu dans la boule baisse, puis s’éteint.<br />

LEOPOLD The thing can explain itself. The movement is no miracle. The r<strong>et</strong>ina r<strong>et</strong>ains an<br />

image for 1/16 th of a second - flickering lights - quite explainable.<br />

ADRIAN Is it explainable? What did we see? The past, the future, the present?<br />

DULCIE Maybe it was the spirit world and those were two ghosts.<br />

LEOPOLD There are no ghosts except in Shakespeare, and any of those are more real than<br />

many people that I know. Well, come on, Ariel, time we go to bed. Thank you everyone,<br />

lovely dinner, thank you.<br />

Il sort par la gauche, entraînant Ariel <strong>à</strong> sa suite.<br />

ARIEL Good night.<br />

MAXWELL Marvellous <strong>de</strong>monstration.<br />

Andrew observe la boule, la touche avec précaution<br />

ADRIAN (Elle porte la main <strong>à</strong> son front) I think I‘d b<strong>et</strong>ter go to bed.<br />

Elle se dirige vers la gauche.<br />

32

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