Rencontres à part: Films, personnages et spectateurs de Woody Allen.
Rencontres à part: Films, personnages et spectateurs de Woody Allen.
Rencontres à part: Films, personnages et spectateurs de Woody Allen.
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tel-00483686, version 1 - 16 May 2010<br />
LEONARD ZELIG (Into the microphone, gesturing and smiling) Right—I‘ve never flown<br />
before in my life and it shows exactly what you can do if you‘re a total psychotic. 8<br />
BROADWAY DANNY ROSE<br />
I.<br />
LOU‘S VOICE-OVER Thank you, thank you. Oh, if you overate too much tonight I got a<br />
great song that the paesans would un<strong>de</strong>rstand. It‘s ―Agita.‖ Una-two!<br />
As Lou sings to the sound of an accordion band, the credits fa<strong>de</strong> off the screen, replaced by<br />
the front of the Carnegie <strong>de</strong>licatessen at night, lit up with a long, bright sign flashing<br />
CARNEGIE, then DELICATESSEN/RESTAURANT. People walk on the busy si<strong>de</strong>walk;<br />
cars drive by on the stre<strong>et</strong>. The camera moves in, closer and closer, to the <strong>de</strong>li’s front<br />
window, its insi<strong>de</strong> lights glowing out onto the stre<strong>et</strong>.<br />
Lou is still singing as the front of the <strong>de</strong>li slowly dissolves to its interior. For a brief moment<br />
the window, the reflected cars, and the <strong>de</strong>li’s busy kitchen area counter are one—until only<br />
the counter is seen, stacked with dishes on its top. Its mirrored front reflects some diners<br />
eating offscreen. (…)<br />
The camera moves down the aisle, in the midst of all this activity, stopping at a table where a<br />
group of men are g<strong>et</strong>ting up, coats in hand, saying their farewells. Revealed when they leave<br />
is the table behind them, where comedians Corb<strong>et</strong>t Monica and Morty Gunty are sitting and<br />
eating. Lou’s singing trails off, filled in with the chatter of diners, waiters, and cutlery. The<br />
two men’s voices are heard over the indistinct <strong>de</strong>li noise as the camera moves closer and<br />
closer to their table. Corb<strong>et</strong>t faces the camera. Morty sits opposite him, his back to the screen.<br />
CORBETT I spent two nights in Florida.<br />
MORTY You have to do the Miami jokes. If you‘re in Florida, you do Miami jokes, in<br />
Atlantic city you do—<br />
CORBETT (Interrupting) Morty, I tried Miami jokes. I don‘t know that works anymore.<br />
(…)<br />
Corb<strong>et</strong>t and Morty’s face dissolve to a different view of the same table. Morty’s face is now<br />
seen. It’s later that night. Three other comics, Sandy Baron, Jackie Gayle, and Howard<br />
Storm, are also gathered around the table, which is covered with bottles, napkins, and cups of<br />
coffee. A mirror hangs in the background; a waiter is first seen in the mirror; he then passes<br />
in front of the camera. Other diners and waiters are <strong>part</strong>ially seen. The comedians talk<br />
among themselves, som<strong>et</strong>imes all at the same time.<br />
MORTY Do you know that when I broke into this business in New York, that I-I could<br />
play at least twelve to twenty weeks a year without leaving the city.<br />
(…)<br />
… they dissolve to another scene around the table, as seen from a different angle, a bit farther<br />
away. It’s even later that same night. Corb<strong>et</strong>t, Morty, Sandy and Howard have been joined by<br />
comedians Jack Rollins and Will Jordan. The swinging doors and the coats on pegs are seen<br />
in the background. An empty table is seen in the foreground.<br />
WILL (Gesturing) The first impression I ever did…<br />
(…)<br />
8 ALLEN, août 1987, pp. 122-5.<br />
35