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Rencontres à part: Films, personnages et spectateurs de Woody Allen.

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tel-00483686, version 1 - 16 May 2010<br />

LEONARD ZELIG (Into the microphone, gesturing and smiling) Right—I‘ve never flown<br />

before in my life and it shows exactly what you can do if you‘re a total psychotic. 8<br />

BROADWAY DANNY ROSE<br />

I.<br />

LOU‘S VOICE-OVER Thank you, thank you. Oh, if you overate too much tonight I got a<br />

great song that the paesans would un<strong>de</strong>rstand. It‘s ―Agita.‖ Una-two!<br />

As Lou sings to the sound of an accordion band, the credits fa<strong>de</strong> off the screen, replaced by<br />

the front of the Carnegie <strong>de</strong>licatessen at night, lit up with a long, bright sign flashing<br />

CARNEGIE, then DELICATESSEN/RESTAURANT. People walk on the busy si<strong>de</strong>walk;<br />

cars drive by on the stre<strong>et</strong>. The camera moves in, closer and closer, to the <strong>de</strong>li’s front<br />

window, its insi<strong>de</strong> lights glowing out onto the stre<strong>et</strong>.<br />

Lou is still singing as the front of the <strong>de</strong>li slowly dissolves to its interior. For a brief moment<br />

the window, the reflected cars, and the <strong>de</strong>li’s busy kitchen area counter are one—until only<br />

the counter is seen, stacked with dishes on its top. Its mirrored front reflects some diners<br />

eating offscreen. (…)<br />

The camera moves down the aisle, in the midst of all this activity, stopping at a table where a<br />

group of men are g<strong>et</strong>ting up, coats in hand, saying their farewells. Revealed when they leave<br />

is the table behind them, where comedians Corb<strong>et</strong>t Monica and Morty Gunty are sitting and<br />

eating. Lou’s singing trails off, filled in with the chatter of diners, waiters, and cutlery. The<br />

two men’s voices are heard over the indistinct <strong>de</strong>li noise as the camera moves closer and<br />

closer to their table. Corb<strong>et</strong>t faces the camera. Morty sits opposite him, his back to the screen.<br />

CORBETT I spent two nights in Florida.<br />

MORTY You have to do the Miami jokes. If you‘re in Florida, you do Miami jokes, in<br />

Atlantic city you do—<br />

CORBETT (Interrupting) Morty, I tried Miami jokes. I don‘t know that works anymore.<br />

(…)<br />

Corb<strong>et</strong>t and Morty’s face dissolve to a different view of the same table. Morty’s face is now<br />

seen. It’s later that night. Three other comics, Sandy Baron, Jackie Gayle, and Howard<br />

Storm, are also gathered around the table, which is covered with bottles, napkins, and cups of<br />

coffee. A mirror hangs in the background; a waiter is first seen in the mirror; he then passes<br />

in front of the camera. Other diners and waiters are <strong>part</strong>ially seen. The comedians talk<br />

among themselves, som<strong>et</strong>imes all at the same time.<br />

MORTY Do you know that when I broke into this business in New York, that I-I could<br />

play at least twelve to twenty weeks a year without leaving the city.<br />

(…)<br />

… they dissolve to another scene around the table, as seen from a different angle, a bit farther<br />

away. It’s even later that same night. Corb<strong>et</strong>t, Morty, Sandy and Howard have been joined by<br />

comedians Jack Rollins and Will Jordan. The swinging doors and the coats on pegs are seen<br />

in the background. An empty table is seen in the foreground.<br />

WILL (Gesturing) The first impression I ever did…<br />

(…)<br />

8 ALLEN, août 1987, pp. 122-5.<br />

35

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