Vesalius, VI, 2, 130-132, 2000<strong>the</strong> first director <strong>of</strong> «La Speco<strong>la</strong>», capitalized onthis aversion by pointing out that <strong>the</strong> wax mo<strong>de</strong>ls,once ma<strong>de</strong>, will obviate any fur<strong>the</strong>r need fordissection. The Grand Duke purchased a block<strong>of</strong> houses on Via Romana and provi<strong>de</strong>d <strong>the</strong>necessary funds for materials and personnel.ExhibitsAt present, <strong>the</strong>re are twenty whole-bodymo<strong>de</strong>ls, one skeleton, one torso and onedisassembled body «Venus», which has removableparts to show <strong>the</strong> succession <strong>of</strong> <strong>the</strong>organs insi<strong>de</strong> <strong>the</strong> human female, including afetus. In addition, <strong>the</strong>re are 473 woo<strong>de</strong>n p<strong>la</strong>queswith one or more wax mo<strong>de</strong>ls arranged asa group (4). Each <strong>of</strong> <strong>the</strong> woo<strong>de</strong>n p<strong>la</strong>ques isenclosed in a g<strong>la</strong>ss case. Often <strong>the</strong>re is anadjoining illustration, usually a water-colorrendition <strong>of</strong> <strong>the</strong> actual mo<strong>de</strong>l, with lea<strong>de</strong>r linesand numbers at <strong>the</strong> end <strong>of</strong> <strong>the</strong> line. The f<strong>la</strong>tdrawers at <strong>the</strong> bottom <strong>of</strong> <strong>the</strong> g<strong>la</strong>ss case containone or more sheets with <strong>the</strong> numbers and <strong>the</strong>legend, i.e. <strong>the</strong> name <strong>of</strong> <strong>the</strong> structure, <strong>the</strong>attachments and function <strong>of</strong> <strong>the</strong> muscles, <strong>the</strong>nerve supply, and o<strong>the</strong>r <strong>de</strong>tails. The mo<strong>de</strong>ls,located in eight rooms, are grouped by regionsor systems.Fontana envisaged that <strong>the</strong> collection wouldtake <strong>the</strong> p<strong>la</strong>ce, to a <strong>la</strong>rge extent, <strong>of</strong> a treatise onanatomy and <strong>the</strong> dissection <strong>of</strong> a body. He<strong>de</strong>signed this method <strong>of</strong> disp<strong>la</strong>ying and <strong>la</strong>belling<strong>the</strong> mo<strong>de</strong>ls so that <strong>the</strong> collection could be usedas a teaching aid even in <strong>the</strong> absence <strong>of</strong> ateacher or gui<strong>de</strong>. A harbinger <strong>of</strong> our present dayself-study methods, it is unfortunate that mo<strong>de</strong>ls<strong>of</strong> such high quality are so un<strong>de</strong>r utilized. Theywould make i<strong>de</strong>al study specimens for stu<strong>de</strong>nts<strong>of</strong> health sciences who do not have access tocadaver material.Small wax mo<strong>de</strong>lsIn addition to <strong>the</strong> life-size mo<strong>de</strong>ls <strong>the</strong>re areseven small-scale mo<strong>de</strong>ls, approximately 75cm. high, mainly showing various <strong>la</strong>yers <strong>of</strong> <strong>the</strong>muscles <strong>of</strong> <strong>the</strong> body. Four <strong>of</strong> <strong>the</strong>se mo<strong>de</strong>lscorrespond very closely to four <strong>of</strong> <strong>the</strong> life-sizemo<strong>de</strong>ls. There are simi<strong>la</strong>r small mo<strong>de</strong>ls at <strong>the</strong>Wellcome Museum <strong>of</strong> <strong>the</strong> History <strong>of</strong> Medicine, apart <strong>of</strong> <strong>the</strong> Science Museum in South Kensingtonin London. It is <strong>de</strong>duced that <strong>the</strong> Londonmo<strong>de</strong>ls, ma<strong>de</strong> prior to 1775, were precursors <strong>of</strong><strong>the</strong> small mo<strong>de</strong>ls at «La Speco<strong>la</strong>» whichprece<strong>de</strong>d <strong>the</strong> life-size mo<strong>de</strong>ls at «La Speco<strong>la</strong>».Dating <strong>of</strong> <strong>the</strong> mo<strong>de</strong>lsEven before <strong>the</strong> first dissector was hired at<strong>the</strong> end <strong>of</strong> 1772 <strong>the</strong>re were several mo<strong>de</strong>lsextant. Around 1772, in <strong>the</strong> Pa<strong>la</strong>zzo Pitti, weresix rooms with anatomical mo<strong>de</strong>ls (2). The <strong>la</strong>rgemo<strong>de</strong>ls date from 1782 and after. Based on <strong>the</strong>inscriptions on <strong>the</strong> base <strong>of</strong> some <strong>of</strong> <strong>the</strong> mo<strong>de</strong>lsand biographical sleuthing, it can be <strong>de</strong>ducedthat <strong>the</strong> mo<strong>de</strong>ls were ma<strong>de</strong> between 1775 and1785. Obviously, <strong>the</strong> early mo<strong>de</strong>ls were basednot on dissection but on some anatomicaltreatise. Detailed study <strong>of</strong> <strong>the</strong> mo<strong>de</strong>ls shows that<strong>the</strong>y were mo<strong>de</strong>lled on <strong>the</strong> anatomical workTabu<strong>la</strong>e SceletietMusculorum Corporis Humani(1747) by Bernard Sigfried Albinus (6). In turn,Albinus' work could be traced back to that <strong>of</strong>Bartolomeo Eustachio (1520-1574)(5). Of <strong>the</strong>forty-seven anatomical p<strong>la</strong>tes to be publishedas De dissensionibus ac controversis anatomicisby Eustachio (7), thirty-nine p<strong>la</strong>tes were lost anddid not come to light till 150 years <strong>la</strong>ter. Whenfound <strong>the</strong>y were published as Tabu<strong>la</strong>eanatomicae in 1714 (8).Copies - a measure <strong>of</strong> excellenceCopies <strong>of</strong> specimens in «LaSpeco<strong>la</strong>», alongwith some originals, exist or did exist in suchdiverse p<strong>la</strong>ces as London, Vienna, Lei<strong>de</strong>n, Budapest,Montpellier and even in <strong>the</strong> new world atNew Orleans (Louisiana). In addition <strong>the</strong>y arefound in <strong>the</strong> <strong>de</strong>partments <strong>of</strong> anatomy at Cagliari,Padua and Bologna.131
Vesalius, VI, 2, 130-132, 2000The best acco<strong>la</strong><strong>de</strong>s for <strong>the</strong> Florentine mo<strong>de</strong>lsare <strong>the</strong> comments <strong>of</strong> contemporaries (9), whosejudgements were ma<strong>de</strong> before <strong>the</strong> collectionacquired <strong>the</strong> halo <strong>of</strong> time.«The beauty <strong>of</strong> <strong>the</strong> work, united withscrupulous accuracy and precision ...»Antonio Scarpa, anatomist (1786).«Not only... supreme elegance and c<strong>la</strong>rity,but also <strong>the</strong>y are put toge<strong>the</strong>r with completeaccuracy, according to nature itself...»Adolph Murray, Pr<strong>of</strong>, <strong>of</strong> Anatomy, Uppsa<strong>la</strong>,Swe<strong>de</strong>n (1780).«... where science and art, taste and technique,all live toge<strong>the</strong>r and function in completeharmony.»von Goe<strong>the</strong> (1857).This may probably be <strong>the</strong> highest complimentto <strong>the</strong> wax mo<strong>de</strong>ls and <strong>the</strong> intellectualclimate <strong>of</strong> Florence .If, after «La Speco<strong>la</strong>» one is still unsatiated<strong>the</strong>re are <strong>the</strong> obstetrical mo<strong>de</strong>ls at <strong>the</strong> History <strong>of</strong>Science Museum on <strong>the</strong> banks <strong>of</strong> <strong>the</strong> Arno, orthose at<strong>the</strong> Medical School in Carregi. But instead<strong>of</strong> overloading on waxes one should probably sitat a bar with a cup <strong>of</strong> cappuccino and reflect over<strong>the</strong> fascinating collection just seen.References1. Bucci.M. (1969), Anatomiacome Arte. lied. D'ArteII Fiorino, Firenze.2. Azzaroli, M. (1977), La Speco<strong>la</strong> <strong>the</strong> Zoologicalmuseum <strong>of</strong> Florence University. Rivista di Storia<strong>de</strong>lle scienze mediche e naturali, Firenze, XX:1 -27.3. Martelli, A. (1977), La nascita <strong>de</strong>l reale gabinetto difisica e storia naturale <strong>de</strong> Firenze e I'anatomia incera e legno di Felici Fontana. Rivista di Storia <strong>de</strong>llescienze mediche e naturali, Firenze, XX:103-133.4. Lanza, B., Azzaroli Puccetti, M. Pogesi and A.Martelli (1979), Le Cere Anatomiche <strong>de</strong>l<strong>la</strong> Speco<strong>la</strong>.Arnaud, Firenze.5. Hilloowa<strong>la</strong>, R., B. Lanza, Azzaroli Puccetti, M.Pogesi and A. Martelli (1995), The AnatomicalWaxes <strong>of</strong> «La Speco<strong>la</strong>». Arnaud, Firenze.6. Hilloowa<strong>la</strong>, R. and J. Renahan, (1985), XVIII CenturyAnatomical Mo<strong>de</strong>ls at «La Speco<strong>la</strong>», Florence.Anat. Anz., Jena 159:141-158.7. O'MalleyC. (1971) Eustachi Bartolomeo. Dictionary<strong>of</strong> Scientific Biography, Charles Scribner's Sons;New York, 4:486-488.8. Bi<strong>la</strong>ncioni, G. (1913) Bartolomeo Eustachi. IstitutoMicrografico Italiano, Firenze.9. Knoefel, P. (1978), Florentine anatomical mo<strong>de</strong>lsin wax and wood. Medicina nei Secoli, Roma,XV:329-340.SummaryAt 17 Via Romana in <strong>the</strong> Oltramo section <strong>of</strong>Florence are housed, in <strong>the</strong> Natural History Museum(«La Speco<strong>la</strong>»), some <strong>of</strong> <strong>the</strong> most interestinganatomical mo<strong>de</strong>ls ma<strong>de</strong> in <strong>the</strong> <strong>la</strong>te eighteenthcentury. In <strong>the</strong> <strong>la</strong>st two centuries, <strong>the</strong>se mo<strong>de</strong>lshave not been surpassed in <strong>the</strong>ir true-to-lifeappearance. The anatomical source for <strong>the</strong>semo<strong>de</strong>ls is <strong>the</strong> work <strong>of</strong> Bernard Siegfried Albinus(1697-1770) and even earlier BartolomeoEustachio (1520-1574). The mo<strong>de</strong>ls are littleknown to health pr<strong>of</strong>essionals including historians.Time consuming as museum visits are in Florence,it behoves a stu<strong>de</strong>nt <strong>of</strong> medical history tospend some time at «La Speco<strong>la</strong>».BiographyFturny Hilloowa<strong>la</strong>Dept. <strong>of</strong> anatomy, West Virginia Univ.Health Sciences N.Morgantown, WV 26506, U.S.A.Dr. Rumy Hilloowa<strong>la</strong> is a Pr<strong>of</strong>essor <strong>of</strong> Anatomy atWest Virginia Health Sciences Center. His researchinterest is in post-natal crani<strong>of</strong>acial anatomy and <strong>the</strong>history <strong>of</strong> anatomy especially as it re<strong>la</strong>tes to art. Theperiod <strong>of</strong> interest being from <strong>the</strong> Greeks to <strong>the</strong> Renaissance.AcknowledgementThe author acknowledges <strong>the</strong> assistance <strong>of</strong> Pr<strong>of</strong>essorEmeritus Joseph Renahan, Department <strong>of</strong> ForeignLanguages, West Virginia University in <strong>the</strong> course <strong>of</strong>investigation <strong>of</strong> this topic.132
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