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Neighbourhood & City<br />

Though discussing and advocating the many promising prospects of visual methods<br />

for the study of urban contexts as complex communicative constellations, it should<br />

be noted that they do not provide a shortcut to valuable data and blissful results. Such<br />

methods do require the further development of scientifically informed visual<br />

competencies among researchers, more explicit and integrated methodologies, and<br />

a general attention to maintaining highly reflexive attitudes throughout the process.<br />

Additionally, there is a high level of lingering confusion regarding how, where and<br />

when images can or should be collected or produced (especially in public or<br />

semi-public places) and what uses are possible while still observing the rights and<br />

expectations of all parties involved. Performing visual research, therefore, also implies<br />

managing the divergent expectations, standards and understandings of diverse<br />

research audiences as well as approving bodies (review boards, peer-reviewers,<br />

publishers, professionals, consumers/users) (see Pauwels, 2015b). The use of the<br />

visual as a data source, or as a medium for capturing, processing and expressing<br />

social scientific knowledge about (urban) society continues to challenge current<br />

scholarship. It generates particular demands, including specific visual competencies<br />

and ethical questions, but also unique rewards by creating new opportunities for<br />

captivating ways of knowledge building and dissemination. More explicit and<br />

transparent methodologies and exemplary visual urban studies may help visual<br />

research to gradually enter the realm of widely accepted options in the study of<br />

urban society and urban communication.<br />

79<br />

REFERENCES<br />

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Popular Press.<br />

Chalfen, R. (2014).‘Your panopticon or mine?’ Incorporating wearable technology’s Glass and GoPro<br />

into visual social science. Visual Studies, 29(3), 299–310.<br />

Collier, J., & Collier, M. (1986).Visual anthropology: Photography as a research method, Revised and<br />

expanded edition. Albuquerque, NM: University of New Mexico Press.<br />

Corsaro, W. (1982). Something old and something new. The importance of prior ethnography in the<br />

collection and analysis of audiovisual data. Sociological Methods & Research, 11(2), 145–166.<br />

Grady, J. (2007). Surprise and discovery: Using GIS to explore social diversity in con-temporary<br />

America. In D. Sinton and J. Lund (Eds.), Understanding place: GIS and mapping across the curriculum<br />

(pp. 83 –96). Redland, CA: ESRI Press.<br />

Graham, S. (Ed.) (2004). The cybercities reader. London: Routledge.<br />

Harper, D. (2012). A ten step methodology. Presentation at the IVSA conference in Brooklyn.<br />

Krebs, S. (1975). The Film Elicitation Technique. In P. Hockings (Ed.), Principles of Visual Anthropology.<br />

Den Haag/Paris, Mouton: 283-301.<br />

MacDougall, D. (2011). Anthropological filmmaking: An empirical art. In E. Margolis and L. Pauwels (Eds.),<br />

SAGE handbook of visual research methods, London/New Delhi: Sage Publications.<br />

Margolis, E. & Pauwels, L. (Eds.) (2011). SAGE handbook of visual research methods. Sage Publications,<br />

Beverly Hills 0/ London.

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