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The <strong>African</strong> <strong>Bank</strong> Foundation accepts the<br />

role as guardian of material pieces for<br />

future generations, and anticipates that<br />

the collection and the accompanying<br />

exhibitions will contribute to a wider<br />

understanding and appreciation of this<br />

art form. Through this effort, we also<br />

hope that the contribution of <strong>African</strong><br />

women to the development of South<br />

<strong>African</strong> art takes its rightful place.<br />

It is through the bank’s beadwork<br />

collection that the foundation partnered<br />

with KhumbulaZulu Craft/LOSA – to fuse<br />

old and new designs for economic<br />

development of our people. Funds in<br />

excess of R900 000 have been invested<br />

in this initiative.<br />

CIDA city campus<br />

Formed in 1999, CIDA (Community and<br />

Individual Development Agency)<br />

provides disadvantaged South <strong>African</strong>s<br />

with a fully-accredited, practical four-year<br />

bachelor of business administration<br />

qualification that emphasises<br />

entrepreneurship, business and<br />

computer skills. Through the<br />

programme, students run the campus<br />

and administration offices, which gives<br />

them valuable real-world experience.<br />

The education offered is designed to be<br />

relevant, cutting-edge, holistic in nature,<br />

and involves business and corporate<br />

professionals in the design and delivery<br />

of all programmes.<br />

The focus of the curriculum is to<br />

develop truly empowered, integrated<br />

citizens and leaders who are skilled and<br />

equipped to build the South <strong>African</strong><br />

economy in future. The foundation<br />

invests R1,2 million per year to build<br />

young capacity for the country. This<br />

commitment ends in 2004.<br />

Education through<br />

the arts<br />

The <strong>African</strong> <strong>Bank</strong> Market Theatre opened<br />

in 1976 as the “theatre of the struggle”.<br />

Non-racial and not-for-profit, it became<br />

the creative crucible for indigenous<br />

South <strong>African</strong> work and artists. For nearly<br />

two decades, it was the only venue that<br />

produced indigenous theatre in<br />

Johannesburg and encouraged the<br />

development of some of the best black<br />

theatre and a platform for black artists.<br />

ABIL has committed an investment of<br />

R3 million per year for three years in<br />

support of all educational and outreach<br />

programmes.<br />

85<br />

<strong>African</strong> <strong>Bank</strong> Investments Limited

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