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The Curse of the Wer.. - Site de Thomas - Free

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WEREWOLVES AND SCHOLARS<br />

Phillpotts’s skilful manipulation <strong>of</strong> <strong>the</strong> werewolf <strong>the</strong>me foregrounds<br />

<strong>the</strong> equivocation that had come to characterize <strong>the</strong> subject <strong>of</strong> lycanthropy.<br />

By exposing <strong>the</strong> werewolf’s unique proclivity for articulating<br />

uncertainty about <strong>the</strong> limitations <strong>of</strong> materialist explanations, <strong>the</strong> text<br />

also hints at <strong>the</strong> inter<strong>de</strong>pen<strong>de</strong>nce <strong>of</strong> monstrosity and mo<strong>de</strong>rnity. A<br />

number <strong>of</strong> scholars have consi<strong>de</strong>red <strong>the</strong> ‘mo<strong>de</strong>rnity’ <strong>of</strong> monsters, arguing<br />

that <strong>the</strong> ‘monstrous’ or ‘spectral’ element that haunted scientific<br />

discourse <strong>de</strong>spite all attempts to dispel it was due to <strong>the</strong> processes by<br />

which rational science worked to <strong>de</strong>scribe ‘reality’. As <strong>the</strong> following<br />

chapter <strong>de</strong>monstrates, <strong>the</strong> ‘real’ is seen within such frameworks to be<br />

constructed through <strong>the</strong> <strong>de</strong>nial or exclusion <strong>of</strong> certain material, which<br />

‘returns’ in uncanny forms such as monsters, to unsettle ‘reality’. This<br />

logic suggests that <strong>the</strong> supernatural or <strong>the</strong> Gothic is a si<strong>de</strong> effect <strong>of</strong><br />

<strong>the</strong> process by which reality is produced.<br />

Slavoj Žižek takes such <strong>the</strong>orizing fur<strong>the</strong>r, by arguing that <strong>the</strong> stuff<br />

<strong>of</strong> Gothic is in fact central to formations <strong>of</strong> <strong>the</strong> ‘real’: ‘<strong>The</strong>re is no<br />

reality without <strong>the</strong> spectre; … <strong>the</strong> circles <strong>of</strong> reality can be closed only<br />

by means <strong>of</strong> an uncanny spectral supplement.’ 106 Following this logic,<br />

‘reality’ is always a social fiction, incapable <strong>of</strong> wholly ‘covering’ <strong>the</strong><br />

real, because <strong>the</strong>re is always an element that is repressed, which <strong>the</strong>n<br />

manifests in spectral form to ‘complete’ social reality (and for Žižek,<br />

this repressed element is <strong>the</strong> only real). In this sense, <strong>the</strong> various<br />

‘explanations’ <strong>of</strong> lycanthropy mo<strong>de</strong>lled competing versions <strong>of</strong> ‘reality’;<br />

and competition between various exponents was a competition for a<br />

‘neutral’ ground from which <strong>the</strong> real could be <strong>de</strong>scribed and observed.<br />

But that ground remained elusive, because <strong>the</strong> repressed real, given<br />

shape through <strong>the</strong> supernatural, <strong>the</strong> spectre — <strong>the</strong> werewolf — remained<br />

perpetually outsi<strong>de</strong> <strong>the</strong> ‘reality’ that was quested after. And as <strong>the</strong><br />

werewolf kept coming back, so uncertainty grew about <strong>the</strong> explanatory<br />

power <strong>of</strong> rational science.<br />

43

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