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176 THE CURSE OF THE WEREWOLF
51. Rosi Braidotti, Metamorphoses: Towards a Materialist Theory of Becoming
(Cambridge: Polity Press, 2002), p. 15.
Chapter 6
1. Donna Haraway, ‘A Manifesto For Cyborgs: Science, Technology and
Socialist Feminism in the 1980s’ (1985), Australian Feminist Studies 4
(1987), p. 8.
2. Ibid., p. 37.
3. Donna Haraway, ‘The Promises of Monsters: A Regenerative Politics for
Inappropriate/d Others’, in Lawrence Grossberg, Cary Nelson and Paula
A. Treichler (eds), Cultural Studies (New York and London: Routledge,
1992), pp. 295–337.
4. Judith Halberstam, Skin Shows: Gothic Horror and the Technology of
Monsters (Durham NC and London: Duke University Press, 1995), p. 27.
5. Donna Haraway, Modest_Witness@Second_Millennium.FemaleMan©_
Meets_OncoMouse TM: Feminism and Technoscience (London and New
York: Routledge, 1997), p. 56.
6. David J. Skal, The Monster Show: A Cultural History of Horror (London:
Plexus, 1994), p. 344.
7. J.C. Conaway, Quarrel with the Moon (New York: Tor, 1982).
8. Jeffrey Goddin, Blood of the Wolf (New York: Leisure, 1987); Nancy A.
Collins, Wild Blood (New York: Roc, 1994).
9. Pam Keesey (ed.), Women Who Run with the Werewolves: Tales of Blood,
Lust and Metamorphosis (Pittsburgh and San Francisco: Cleis Press,
1996).
10. Ian from alt.horror.werewolves, ‘Jones, Stephen (ed.), The Mammoth Book
of Werewolves’, in ‘Transformation Stories List’, www.transformationlist.
com/tsl/translist.html (updated 16 December 1999).
11. White Wolf Game Studio’s series of role-playing games set in the ‘World
of Darkness’ are exemplary of this trend. Several werewolf storylines
followed the success of Vampire: The Masquerade (1991), beginning with
Werewolf: The Apocalypse (1992), and followed by the historical variants
of Dark Ages: Werewolf and Werewolf: The Wild West. In 2004, the old
‘World of Darkness’ was retired and replaced by a new one, with Werewolf:
The Forsaken (2005) as the new werewolf game set in this universe.
12. ‘AHWW Full FAQ’, www.swampfox.demon.co.uk (2001).
13. http://theanonymouswerewolf.blogspot.com/.
14. Haraway, Modest_Witness@Second_Millennium.FemaleMan©_Meets_
OncoMouse TM, p. 52.
15. The following publications appeared during the 1970s: Tzvetan Todorov,
The Fantastic: A Structural Approach to a Literary Genre, trans. Richard