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NOTES
72 (November 1893), p. 633.
37. Gilles Deleuze and Félix Guattari, A Thousand Plateaus: Capitalism and
Schizophrenia, trans. Brian Massumi (London and Minneapolis: University
of Minnesota Press, 1987), p. 28.
38. Jonathon Auerbach, ‘“Congested Mails”: Buck and Jack’s “Call”’, American
Literature 67 (1995), pp. 51–76.
39. John P. Sisk, ‘Call of the Wild’, Commentary 78 (July 1984), pp. 52–5.
40. Erich Balla, Landsknechte wurden wir: Abenteuer aus dem Baltikum
(Berlin, 1932), p. 111, quoted in Theweleit, Male Fantasies, vol. 1, p.
183.
41. Theweleit, Male Fantasies, vol. 1, p. 184.
42. Joan Mellen, Big Bad Wolves: Masculinity in American Film (New York:
Pantheon, 1977, p. 5.
43. Theweleit, Male Fantasies, vol. 2, p. 67.
44. Sheldon Teitelbaum, ‘Wolf: Makeup Transformation’, Imagi-Movies
(Summer 1994), p. 26, quoted in Badley, Film, Horror, and the Body
Fantastic, p. 157.
45. See Richard Bernheimer, Wild Men in the Middle Ages: A Study in Art,
Sentiment, and Demonology (New York: Octagon Books, 1970); Edward
Dudley and Maximillian E. Novak (eds), The Wild Man Within: An Image
in Western Thought from the Renaissance to Romanticism (London: University
of Pittsburgh Press, 1972); Roger Batra, Wild Men in the Looking
Glass: The Mythic Origins of European Otherness, trans. Carl T. Berrisford
(Ann Arbor: University of Michigan Press, 1994).
46. Robert Bly, Iron John: A Book About Men (New York: Vintage, 1990),
p. x.
47. Mark Dery, ‘Wild Nature’, 21C: Scanning the Future: The Magazine of
Culture, Technology and Science 4 (1996), p. 49.
48. Slavoj Žižek, Enjoy Your Symptom! Jacques Lacan in Hollywood and Out,
revised edn (London and New York: Routledge, 2001), pp. 134, 137.
49. Ibid. p. 134.
50. Ibid., pp. 134, 136.
Chapter 5
1. Franklin Gregory, The White Wolf (New York: Random House, 1941); Aino
Kallas, The Wolf’s Bride: A Tale from Estonia, trans. A. Matson and B.
Rhys (London: Jonathon Cape, 1930).
2. Kallas, The Wolf’s Bride, pp. 31, 35.
3. Ibid., p. 39.
4. See Gerald Biss, The Door of the Unreal (New York: G.P. Putnam’s Sons/
London: Knickerbocker Press, 1920); Seabury Quinn, ‘The Blood-Flower’,
171