The Curse of the Wer.. - Site de Thomas - Free
The Curse of the Wer.. - Site de Thomas - Free
The Curse of the Wer.. - Site de Thomas - Free
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NOTES<br />
98. See Martin Tropp, Images <strong>of</strong> Fear: How Horror Stories Helped Shape<br />
Mo<strong>de</strong>rn Culture (1818–1918) (Jefferson NC and London: McFarland, 1990),<br />
p. 98.<br />
99. Jefferson Hunter, Edwardian Fiction (Cambridge MA and London: Harvard<br />
University Press, 1982), p. 61.<br />
100. Algernon Blackwood, ‘<strong>The</strong> Camp <strong>of</strong> <strong>the</strong> Dog’, in A. Blackwood, John Silence:<br />
Physician Extraordinary (1908) (London: Eveleigh Nash & Grayson,<br />
1929), p. 384.<br />
101. See Margery Williams, <strong>The</strong> Thing in <strong>the</strong> Woods (London: Duckworth,<br />
1913); Gerald Biss, <strong>The</strong> Door <strong>of</strong> <strong>the</strong> Unreal (New York: G.P. Putnam’s<br />
Sons/London: Knickerbocker Press, 1920); Robert W. Service, <strong>The</strong> House<br />
<strong>of</strong> Fear (London: T. Fisher Unwin, 1927); Charles Swem, <strong>Wer</strong>ewolf! (New<br />
York: A.L. Burt, 1928); Alfred H. Bill, <strong>The</strong> Wolf in <strong>the</strong> Gar<strong>de</strong>n (New<br />
York and Toronto: Longmans, Green, 1931); Frances Layland-Barratt,<br />
Lycanthia (London: Herbert Jenkins, 1935); E<strong>de</strong>n Phillpotts, Lycanthrope:<br />
<strong>The</strong> Mystery <strong>of</strong> Sir William Wolf (London: Thornton Butterworth, 1937);<br />
Jack Mann, Grey Shapes (London: Wright & Brown, 1938).<br />
102. For some more recent examples <strong>of</strong> this approach, see Basil Copper, <strong>The</strong><br />
House <strong>of</strong> <strong>the</strong> Wolf (Sauk City WI: Arkham House, 1983); Stephen King,<br />
Cycle <strong>of</strong> <strong>the</strong> <strong>Wer</strong>ewolf (New York: Signet, 1983); Charles L. Grant, <strong>The</strong><br />
Dark Cry <strong>of</strong> <strong>the</strong> Moon (West Kingston RI: Donald M. Grant, 1985). In<br />
film, see <strong>The</strong> Beast Must Die (1974, UK), Legend <strong>of</strong> <strong>the</strong> <strong>Wer</strong>ewolf (1974,<br />
UK), Haunted Honeymoon (1986, UK/USA), and Howling V: <strong>The</strong> Rebirth<br />
(1989, Hungary/UK/USA).<br />
103. Swem, <strong>Wer</strong>ewolf!, p. 194.<br />
104. Ibid., p. 122.<br />
105. Phillpotts, Lycanthrope, p. 148.<br />
106. Slavoj Žižek, ‘Introduction: <strong>The</strong> Spectre <strong>of</strong> I<strong>de</strong>ology’, in S. Žižek (ed.),<br />
Mapping I<strong>de</strong>ology (London and New York: Verso, 1994), p. 21.<br />
Chapter 2<br />
1. Judith Halberstam, Skin Shows: Gothic Horror and <strong>the</strong> Technology <strong>of</strong><br />
Monsters (Durham NC and London: Duke University Press, 1995), p. 3.<br />
2. Henry Mayhew, London Labour and <strong>the</strong> London Poor (1861–62), vol. 1<br />
(London: Frank Cass, 1967), pp. 2–3, quoted in Peter Stallybrass and Allon<br />
White, <strong>The</strong> Politics and Poetics <strong>of</strong> Transgression (London: Methuen, 1986),<br />
pp. 131–2.<br />
3. Sabine Baring-Gould, <strong>The</strong> Book <strong>of</strong> <strong>Wer</strong>e-wolves: Being an Account <strong>of</strong> a<br />
Terrible Superstition (London: Smith & El<strong>de</strong>r, 1865), p. 75.<br />
4. Andrew Wynter, ‘<strong>Wer</strong>e-wolves and Lycanthropy’, in A. Wynter, Fruit<br />
Between <strong>the</strong> Leaves, vol. 1 (London: Chapman & Hall, 1875), p. 109.<br />
159