The Curse of the Wer.. - Site de Thomas - Free
The Curse of the Wer.. - Site de Thomas - Free
The Curse of the Wer.. - Site de Thomas - Free
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WEREWOLVES AND SCHOLARS<br />
<strong>the</strong> ‘disease <strong>of</strong> language’ <strong>de</strong>riving from Sanskrit, but its primarily<br />
German exponents asserted that <strong>the</strong> subject <strong>of</strong> mythology was meteorological<br />
phenomena, particularly lightning, ra<strong>the</strong>r than <strong>the</strong> sun. Kelly<br />
introduced this interpretation <strong>of</strong> mythology to <strong>the</strong> British with his<br />
Curiosities <strong>of</strong> Indo-European Tradition and Folk Lore, published in<br />
1863. Because this work ma<strong>de</strong> <strong>the</strong> <strong>the</strong>ory accessible by relating it to<br />
British folklore, it proved more influential than <strong>the</strong> ra<strong>the</strong>r fatiguing<br />
prose <strong>of</strong> Müller. 77 Chapter nine <strong>of</strong> Kelly’s book was entitled ‘<strong>The</strong> <strong>Wer</strong>ewolf’,<br />
and most <strong>of</strong> his material was drawn from Wilhelm Hertz’s Der<br />
<strong>Wer</strong>wolf. Beitrag zur Sagengeschichte (1862). <strong>The</strong> celestial explanation<br />
for <strong>the</strong> werewolf stems from <strong>the</strong> mythological association <strong>of</strong> wolves<br />
with howling winds. In Vedic mythology,<br />
<strong>The</strong> Maruts and o<strong>the</strong>r beings who were busy in <strong>the</strong> storm assumed various<br />
shapes. <strong>The</strong> human form was proper to many or all <strong>of</strong> <strong>the</strong>m … and it would<br />
have been a very natural thought, when a storm broke out sud<strong>de</strong>nly, that<br />
one or more <strong>of</strong> those people <strong>of</strong> <strong>the</strong> air had been turned into wolves for<br />
<strong>the</strong> occasion. 78<br />
<strong>The</strong> reduction <strong>of</strong> all <strong>the</strong> variants <strong>of</strong> a myth to a solar or meteorological<br />
motif in <strong>the</strong>se ways ten<strong>de</strong>d to dismiss as extraneous or inci<strong>de</strong>ntal<br />
<strong>the</strong> imaginative embellishments that had clustered around <strong>the</strong>se<br />
stories over time. <strong>The</strong> creative ingenuity <strong>of</strong> successive cultures was<br />
stripped away to expose <strong>the</strong> myth in its ol<strong>de</strong>st and barest form. Viewing<br />
<strong>the</strong> poetic artistry <strong>of</strong> myths as an aberration caused by shifting<br />
linguistic structures was an approach that rejected romantic values in<br />
favour <strong>of</strong> <strong>the</strong> logic <strong>of</strong> ‘natural’ structures and laws. By squeezing <strong>the</strong><br />
spiritual and creative expressions <strong>of</strong> humanity into a scientific mo<strong>de</strong>l<br />
based on <strong>the</strong> conception <strong>of</strong> a natural law (‘<strong>the</strong> disease <strong>of</strong> language’)<br />
comparative mythologists participated in <strong>the</strong> institutionalization <strong>of</strong><br />
scientific philosophy as <strong>the</strong> preferred mo<strong>de</strong> <strong>of</strong> explanation in mid- to<br />
late-nineteenth-century intellectual culture.<br />
Edward Tylor, traditionally consi<strong>de</strong>red <strong>the</strong> patriarch <strong>of</strong> mo<strong>de</strong>rn<br />
anthropology, was ano<strong>the</strong>r scholar influenced by Müller’s i<strong>de</strong>as. Tylor’s<br />
innovation was to introduce an ethnological and evolutionary dimension<br />
to <strong>the</strong> reading <strong>of</strong> myth. Tylor believed that Müller’s ‘disease <strong>of</strong><br />
35