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The Curse of the Wer.. - Site de Thomas - Free

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FIG. 10 Margaret<br />

Brundage’s illustration<br />

<strong>of</strong> Bassett Morgan’s ‘<strong>The</strong><br />

Wolf-Woman’, for <strong>the</strong><br />

cover <strong>of</strong> Weird Tales,<br />

September 1927.<br />

WOMEN WHO RUN WITH THE WOLVES<br />

‘never<strong>the</strong>less ripened in <strong>the</strong> fi re <strong>of</strong> <strong>de</strong>sire, like grain in <strong>the</strong> sun, for<br />

<strong>the</strong> hour that was to come’. 2 Eventually, ‘<strong>of</strong> her own will she surren<strong>de</strong>red<br />

her spirit, soul and body, to <strong>the</strong> dæmon, to be gui<strong>de</strong>d <strong>the</strong>reafter<br />

by him’. 3 In o<strong>the</strong>r twentieth-century stories, women with no special<br />

propensity for evil are still threatened by seduction into lycanthropy<br />

by an evil infl uence, and need to be rescued by such werewolf-slaying<br />

heroes as Seabury Quinn’s psychic <strong>de</strong>tective Jules <strong>de</strong> Grandin. 4 In all<br />

<strong>the</strong>se cases <strong>of</strong> female lycanthropy, it is ‘<strong>the</strong> soul-<strong>de</strong>stroying, fearful<br />

joy <strong>of</strong> Sensuality’ inherent in women, who are ‘more approachable to<br />

[Satan’s] wiles than men’, 5 which leads <strong>the</strong>m into trouble. Such i<strong>de</strong>as<br />

about <strong>the</strong> feminine affi nity for <strong>the</strong> dubious sensuality <strong>of</strong> forests and<br />

wolves were perhaps most clearly articulated in <strong>the</strong> repeated pictorial<br />

exhibition in <strong>the</strong> pages <strong>of</strong> <strong>the</strong> pulp magazines <strong>of</strong> scantily clad women<br />

happily consorting with wolves (Figures 10–13).<br />

113

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