The Curse of the Wer.. - Site de Thomas - Free

FIG. 14 Publicity poster
for The Howling (1980).
WOMEN WHO RUN WITH THE WOLVES
staying on the path cleared for them by a patriarchal culture, away from
the sensuous temptations of wolves and forests. 8 As Zipes suggests, if
Perrault’s version was still a little too ‘French’ in its sensuality, the
more puritanical version by the Brothers Grimm, published in 1812,
established the moral, didactic tone which has characterized traditional
interpretations of the story ever since. In the Grimms’ version, Little
Red Riding Hood is instructed by her mother not to leave the path, so
that ‘the conflict between freedom/wilderness/nature on the one hand
versus school/straight path/order on the other is set up very early in
the narrative to illustrate a socio-political situation.’ 9
For those women afflicted by lycanthropy who have thoroughly
internalized the lessons of Little Red Riding Hood, the only option
seems to have been martyrdom and self-denial, as in Quinn’s ‘The
Phantom Farmhouse’ (1923), in which a beautiful young werewolf begs
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