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The Curse of the Wer.. - Site de Thomas - Free

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Preface<br />

I have to confess that in <strong>the</strong> course <strong>of</strong> writing this book I learned to<br />

dread <strong>the</strong> inevitable question, ‘What is your research about?’ Anyone<br />

working in <strong>the</strong> arts or humanities knows <strong>the</strong> difficulty <strong>of</strong> justifying<br />

projects in <strong>the</strong>se fields to people who want to know what is being<br />

produced in material, economically quantifiable terms, and <strong>the</strong> spectacle<br />

<strong>of</strong> a woman writing a book on werewolves, in its apparently blatant<br />

disregard for such values, has been guaranteed to evoke indignation<br />

and incredulity from some quarters. Even those pr<strong>of</strong>essing a nostalgically<br />

humanist commitment to nurturing <strong>the</strong> arts and humanities have<br />

<strong>of</strong>ten raised an eyebrow when I’ve disclosed <strong>the</strong> spectacularly lowbrow<br />

focus <strong>of</strong> my project. As a result I’ve <strong>of</strong>ten tried an evasive approach<br />

to queries about <strong>the</strong> nature <strong>of</strong> my work, mumbling something about<br />

‘Gothic literature’ — but <strong>the</strong>re has nearly always been a friend or relative<br />

nearby who has been only too happy to elaborate for <strong>the</strong> benefit <strong>of</strong> <strong>the</strong><br />

enquiring party: ‘It’s about werewolves.’<br />

It is ironic, however, that once <strong>the</strong> mandatory amazement, disbelief<br />

or disapproval has been expressed, most people, although relatively<br />

uninterested in my earnest attempts to assure <strong>the</strong>m <strong>of</strong> <strong>the</strong> value <strong>of</strong><br />

my research, have been fascinated by its genesis. ‘Why did you choose

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