The Curse of the Wer.. - Site de Thomas - Free

BIBLIOGRAPHY
Herbert, Algernon, ‘On Werewolves’, in Frederick Madden, (ed.), William and
the Werwolf, London, William Nicol, Shakspeare-Press, 1832, pp. 1–45.
Hesse, Hermann, ‘Author’s Note’ (1961), in Herman Hesse, Steppenwolf, trans.
B. Creighton and revised by W. Sorell, London, Allen Lane, 1974, pp.
5–6.
Heyck, T.W., The Transformation of Intellectual Life in Victorian England,
London, Croom Helm, 1982.
Hill, Douglas, Return from the Dead: The History of Ghosts, Vampires, Werewolves
and Poltergeists, London, Macdonald, 1970.
Hirsch, Gordon, and Veeder, William (eds), 100 Years of Dr Jekyll and Mr Hyde,
Chicago, Chicago University Press, 1988.
Hoch, Paul, White Hero, Black Beast: Racism, Sexism and the Mask of Masculinity,
London, Pluto Press, 1979.
Hokenson, Jan, and Pearce, Howard (eds), Forms of the Fantastic: Selected Essays
from the Third International Conference on the Fantastic in Literature
and Film, Westport CT, Greenwood Press, 1986.
Houghton, Walter E., ‘Periodical Literature and the Articulate Classes’, in
Joanne Shattock and Michael Wolff (eds), The Victorian Press: Samplings
and Soundings, Leicester, Leicester University Press; Toronto and Buffalo,
Toronto University Press, 1982, pp. 3–27.
———, The Victorian Frame of Mind 1830–1870, New Haven CT, Yale University
Press, 1957.
Huet, Marie-Hélène, Monstrous Imagination, Cambridge MA and London,
Harvard University Press, 1993.
Hughes, W., The Maniac in the Cellar: Sensation Novels of the 1860s, Princeton
NJ, Princeton University Press, 1980.
Hume, Kathryn, Fantasy and Mimesis: Responses to Reality in Western Literature,
NewYork, Methuen, 1984.
———, ‘Postmodernism in Popular Literary Fantasy’, in C.W. Sullivan III
(ed.), The Dark Fantastic: Selected Essays from the Ninth International
Conference on the Fantastic in the Arts, Westport CT, Greenwood Press,
1997, pp. 173–82.
Hunter, Jefferson, Edwardian Fiction, Cambridge MA and London, Harvard
University Press, 1982.
Hurley, Kelly, The Gothic Body: Sexuality, Materialism, and Degeneration at
the Fin de Siècle, Cambridge, Cambridge University Press, 1996.
———, ‘Reading Like an Alien: Posthuman Identity in Ridley Scott’s Alien
and David Cronenburg’s Rabid’, in Judith Halberstam and Ira Livingston
(eds), Posthuman Bodies, Bloomington and Indianapolis, Indiana University
Press, 1995, pp. 203–24.
Huss, Roy, and Ross, Theodore J. (eds), Focus on the Horror Film, Englewood
Cliffs NJ, Prentice-Hall, 1972.
203