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NOTES
26. Max Müller, ‘The Savage’, Nineteenth Century 17 (January 1885), p. 111.
27. Halberstam, Skin Shows, p. 3.
28. Mary Russo, The Female Grotesque: Risk, Excess and Modernity (London
and New York: Routledge, 1994), p. 8.
29. Reynolds, ‘Wagner the Wehr-Wolf’, p. 67.
30. Russo, The Female Grotesque, p. 8.
31. Charles H. Bennett, The Fables of Aesop and Others. Translated into human
nature, designed and drawn on the wood by Charles H. Bennett (London:
W. Kent, 1857; reprinted London: Chatto & Windus, 1874, 1978).
32. Stallybrass and White, The Politics and Poetics of Transgression, p. 193. For
similar accounts of an ‘internal’ and ‘external’ grotesque, see Rosemary
Jackson, Fantasy: The Literature of Subversion (New York: Methuen, 1981),
p. 58; and Russo, The Female Grotesque, p. 8.
33. Kirby Flower Smith remarked upon the nudity of the werewolf no fewer
than eight times in the course of his analysis of the werewolf in literature.
See K.F. Smith, ‘An Historical Study of the Werwolf in Literature’, PMLA,
vol. 9, no. 1 (n.s. v.2, no. 1) (1894), pp. 1–42.
34. Mrs Catherine Crowe, ‘The Lycanthropist’, in Mrs C. Crowe, Light and
Darkness; or, Mysteries of Life, vol. 3 (London: Henry Colburn, 1850), p.
234; reprinted in Reynolds’s Miscellany, vol. 5, no. 125 n.s. (30 November
1850), pp. 293–4.
35. Ibid., pp. 234–5.
36. Charles Robert Maturin, The Albigenses, vol. 2 (1824) (New York: Arno
Press, 1974), pp. 262–3.
37. Otto Weininger, Ueber die letzten Dingen (Vienna, 1904), cited in Bram
Dijkstra, Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siècle
Culture (New York and Oxford: Oxford University Press, 1986), p. 221.
38. Campbell, ‘The White Wolf’, pp. 104–5. This tradition of female lycanthropy
was continued in the twentieth century, in stories such as Arthur
L. Salmon, ‘The Werewolf’, The Ferry of Souls: A Book of Fantasies and
Sketches (London: Foulis, 1927), pp. 37–40; Theda Kenyon, ‘The House
of the Golden Eyes’, Weird Tales, September 1930, pp. 337–44; Howard
Wandrei, ‘The Hand of the O’Mecca’, Weird Tales, April 1935, pp. 425–33;
Lireve Monet, ‘Norn’, Weird Tales, February 1936, pp. 211–27.
39. Alexandre Dumas, The Wolf-Leader (1857), trans. Alfred Allinson (London:
Methuen, 1904).
40. Rudyard Kipling, ‘The Mark of the Beast’, Pioneer (12 and 14 July 1890),
reprinted in R. Kipling, Life’s Handicap: Being Stories of Mine Own People
(1891) (Harmondsworth: Penguin, 1987), p. 201.
41. Maturin, The Albigenses, vol. 2, p. 262.
42. Sally Shuttleworth, Charlotte Bronte and Victorian Psychology (Cambridge:
Cambridge University Press, 1996), p. 34.
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