Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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· INTELLECTUAL LIFE IN THE COLONIAL SOUTH '<br />
Builders is in form biographical, beginning with the protagonist's education<br />
at Winchester School and the Temple, his misfortunes in England and<br />
Scotland, and his voyage to Charleston, South Carolina, and then to Georgia.<br />
"Mr. Oglethorpe, with his Mirmidons," and Whitefield and "his crews"<br />
and the Orphan House are among the things or people attacked as the<br />
narrative progresses. Much <strong>of</strong> Georgia history is here, including gardens<br />
and planting. In the second edition an appendix discusses reviews <strong>of</strong> the<br />
first edition and attempts to answer them.218<br />
Thomas Atwood Digges (1741-1821), a Catholic and a native <strong>of</strong><br />
Maryland, was the author <strong>of</strong> The Adventures <strong>of</strong> Alonso (London, 1775 ),<br />
frequently called the first American novel. Though it is dated a decade<br />
after the period <strong>of</strong> this study, it is still by a colonial southern colonist <strong>of</strong> a<br />
notable Chesapeake planter family which had branches in both Virginia<br />
and Maryland. Only recently has the authorship been established. Digges<br />
was a descendant <strong>of</strong> the Edward Digges mentioned earlier and had gone<br />
to Lisbon in Portugal for business reasons some time before 1775, and<br />
Portugal is mentioned in the subtitle <strong>of</strong> the book. Up to a certain point the<br />
novel is political and economic propaganda, but it is distinctly narrative<br />
fiction in form. The story begins in London, goes on to Brazil and Panama<br />
and the West Indies and back to Portugal. The title page ascription, "By<br />
a Native <strong>of</strong> Maryland, for some years resident in Lisbon," seems to suggest<br />
possible American as well as Iberian setting or theme. In any event, the<br />
novel belongs to the pre-Revolutionary South. It lies outside its author's<br />
considerable patriotic or political activity.219<br />
One lively narrative has recently been printed from the original manuscript<br />
in the Maryland archives, "The Recantation and Confession <strong>of</strong> William<br />
Marshall alias Johnson, before his Excellency and the Council." It<br />
describes a common man's life <strong>of</strong> wandering and his capture by Indians<br />
and what the red men required him to do. There are suggestions in the<br />
colonial records that several such autobiographical narratives were recited<br />
to <strong>of</strong>ficials or judges in the various southern provinces, though only a few<br />
have so far been printed.220<br />
These varied tales, together with the book advertisements in the provincial<br />
gazettes and the inventories noted in Chapter IV, show that southern<br />
colonials read a variety <strong>of</strong> fiction and <strong>of</strong> autobiographical narrative and<br />
wrote a little <strong>of</strong> it themselves. One recalls that only a few southern Indian<br />
captivity narratives were printed in a period when in the Northeast especially<br />
they were favorite reading for all sorts <strong>of</strong> reasons. During and after<br />
the Revolution the southern provincial read more and more fiction, but it<br />
was not until the beginning <strong>of</strong> the nineteenth century that he wrote many<br />
novels or recorded many actual captivities.