Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
· INTELLECTUAL LIFE IN THE COLONIAL SOUTH '<br />
Hamilton provoked a literary war <strong>of</strong> burlesque essays and some verse with<br />
two Baltimore poets, the parsons Thomas Cradock and Thomas Chase. The<br />
"Annapolis Wits" versus the "Baltimore Bards" was an early feature <strong>of</strong><br />
Green's paper. As we shall see, Hamilton himself contributed much besides<br />
the mimic warfare papers, and almost all <strong>of</strong> what he did was touched by or<br />
embodied the witty and the ironic.<br />
Jonas Green (I7 I2-I767 ), who had come from Massachusetts to Maryland<br />
before or by I738, was a master printer responsible for perhaps the<br />
handsomest <strong>of</strong> American books before the Revolution as well as scores<br />
<strong>of</strong> sermons and pamphlets and several other real books. He was also a versifier<br />
and became <strong>of</strong>ficial poet laureate <strong>of</strong> the Tuesday Club. In his news<br />
paper he published locally authored essays on natural history, all sorts <strong>of</strong><br />
poems and translations, sermons, medical essays, political essays, and lit<br />
erary criticism which made his Maryland Gazette a major vehicle for sig<br />
nificant southern colonial writing. Besides Tuesday Clubbers, who were<br />
frequent contributors, there were others such as the venerable historian<br />
Hugh Jones.<br />
Green's own scattered pieces show his irrepressible instinct and ability<br />
in punning. His first major poetic effort for the Tuesday Club did not<br />
come until May I6, I749, his "Anniversary Ode." Beginning with a "Rec<br />
itative," the verses proceed with mock praise <strong>of</strong> President Charles Cole.<br />
The lines were read by Green himself, and were followed by the "Chorus"<br />
(a song by the resident club musician William Thornton) to a tune im<br />
provised by an honorary member, Samuel Hart. Green had been given the<br />
title "P.P.P.P.P."-!·purveyor, punster, punchmaker general, printer, and<br />
poet," though in I748 he asked that it be changed to "P.L.M.C." for "Poetica<br />
Laureatus, Magister Ceremonium." He also had most probably a considerable<br />
share in the "Conjoint Muses" <strong>of</strong> the Club, as the "Lugubris<br />
Cantus" (<strong>of</strong> January I5, I750/I ) and ItCarmen Dolorosum" (February<br />
20, I752/3). His longest poem is a facetious account <strong>of</strong> an attempt to<br />
rob Charles Cole on the night <strong>of</strong> July 3, I75I:<br />
Dictate some gloomy muse, my verse<br />
While I the Tragic scene reherse,<br />
The tragic Scene, that had almost,<br />
Transformed his Lordship to a ghost.<br />
The subsequent lines are mock-heroic in the farcical tradition, concluding<br />
that if it had not been for Cole's servant John, the president would have<br />
been murdered and thereby "all" (the future lavish dinners supplied by<br />
Cole) lost. Though the members voted against including this travesty in<br />
the minutes, in his later versions secretary Hamilton took it upon himself<br />
to spread it on the record.