Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
Literature, Principally Belletristic - University of Tennessee, Knoxville
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· <strong>Literature</strong>, <strong>Principally</strong> <strong>Belletristic</strong> '<br />
At mid-century other Virginians who did not publish in provincial or<br />
British journals expressed themselves in satire. One amusing example is<br />
the epistolary exchange <strong>of</strong> two friends, Benjamin Waller (1716-1786)<br />
and Colonel Henry Wood <strong>of</strong> Goochland (1696-1757). Waller, resident<br />
<strong>of</strong> Williamsburg, was secretary <strong>of</strong> the colony and member <strong>of</strong> the House<br />
<strong>of</strong> Burgesses, friend <strong>of</strong> the blacksmith Virginia poet Charles Hansford, and<br />
a relative <strong>of</strong> the earlier English poet Edmund Waller. In the archives <strong>of</strong><br />
the Colonial Williamsburg Foundation are odd verses and rhymed letters<br />
dated 1745 to about 1755, almost all by Wood to Waller. Most <strong>of</strong> the<br />
verse rises little above doggerel, as in Wood's letter to his "Dear Brother<br />
Bard" on Christmas Day 1752:<br />
In Hudibrastic Stile I choose<br />
Myself for some short time to loose<br />
What tho' I get into a Maze<br />
'Cause, Butlor like, Milton the great<br />
Few Poets roughly imitate.<br />
He goes on to warn Waller in jocular verses that when next they meet<br />
the latter must bow, for Wood has just been commissioned a "Cornel <strong>of</strong><br />
Foot a noble Post Sir." In a postscript to this metrical epistle he sends<br />
compliments to their mutual friend William Stith and mentions Joshua,<br />
"Jemmy," and the Roman Horace. Earlier, on Candlemas Day 1745 /6, in<br />
anapestic tetrameter couplets, Wood refers to the House <strong>of</strong> Burgesses and<br />
its speaker and to their mutual friends Mercer and Bray and in a postscript<br />
declares that though his verses are homespun they are at least original and<br />
their meaning is clear. On December 4, 1753, Wood wrote a long versified<br />
epistle, deriding Waller's attempts at verse and mentioning former Governor<br />
Gooch, who had made Waller an "Armiger" (<strong>of</strong>ficial who bore a<br />
coat <strong>of</strong> arms? ) and several times referring to Don Quixote. On July 9,<br />
1754, Wood wrote in prose, after a severe illness or paralytic stroke, mentioning<br />
Waller's "poetical Epistle" dated the preceding January.<br />
Though Waller's half <strong>of</strong> the exchange has not turned up, the Williamsburg<br />
gentleman's patronage <strong>of</strong> poets such as Charles Hansford, what is<br />
presumably his poem "Myrtilla to Damon" in the Gentleman's Magazine<br />
(XXIX [May 1759J, 228-229 ), and the probability that he contributed<br />
other anonymous or pseudonymous verses to the Virginia Gazette, not to<br />
mention his possible part in the "Dinwiddianae" poems to be discussed in<br />
a moment, mark him as a versifier yet to be investigated. The lines by<br />
Wood are sometimes quite good, and they certainly indicate the truth <strong>of</strong><br />
a statement made earlier, that poems in manuscript were circulated freely<br />
in the colonial South, in this case as in Byrd's and others' to be mentioned,<br />
even after there were printing presses in the colonies. If "M yrtilla to<br />
1377